È íèùèõ áóäóùåå âõîäèò, à çà íèì
Çàêîíû, ïàëà÷è, çàãàäêè -- âñå âîéäóò:
Åå Âåëè÷åñòâî, ÷åé íðàâ íåâûíîñèì,
È, äóðàêîâ äóðà÷à, ïüÿíûé øóò.
Ãåðîé åå ãëàçàìè åñò, îòñå÷ü íåìåäëÿ ÷òîá
Ó ïðîøëîãî ãëàâó, ïðîñóíóò ëèøü åäâà --
Ñ ìèññèîíåðñêîþ óõìûëêîþ âäîâà,
Èëü ñ ðåâîì ðâóùèéñÿ ïîòîï.
Ñãðåáàåì âñå ê íåé, áëàãî ëè -- èñïóã
È áüåìñÿ â ñòâîðêè -- åñëè ñìåðòè ìãëà.
Îíà îäíàæäû îòâîðèëàñü âäðóã,
Àëèñå ïîêàçàâ Ñòðàíó ×óäåñ,
Ñòîëü êðîõîòíîé, â ñèÿíèè íåáåñ,
×òî òà è ñëåç ñäåðæàòü îãðîìíûõ íå ñìîãëà.
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1. The Door
Out of it steps the future of the poor,
Enigmas, executioners and rules,
Her Majesty in a bad temper or
The red-nosed Fool who makes a fool of fools.
Great person eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.
We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made
Enormous Alice see a wonderland
That waited for her in sunshine, and,
Simply by being tiny, made her cry.
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Âñå çàãîäÿ êóïèòü íå ïðåìèíóëè
Ó ëó÷øèõ ôèðì: òîí÷àéøèé àïïàðàò
Äëÿ èçìåðåíèÿ ïîðîêà è, ïîäðÿä,
Îò ñåðäöà ëè, æåëóäêà ëè -- ïèëþëè.
Äëÿ íåòåðïåíèÿ -- ÷àñû, êîíå÷íî. Ïëþñ
Äëÿ ñóìðàêà -- ôîíàðü è çîíòèê -- îò ëó÷åé;
Íà ïóëè íå ñêóïèëñÿ êàçíà÷åé
È äèêàðåé óòåøèòü -- ñâÿçêè áóñ.
Èì Óïîâàíèÿ áûëà ÿñíà ñèñòåìà,
È ðàíüøå ïîëó÷àëîñü, ãîâîðÿò.
Ê íåñ÷àñòüþ, â íèõ ñàìèõ ãíåçäèëàñü èõ ïðîáëåìà:
Âåäü îòðàâèòåëþ íåëüçÿ äîâåðèòü ÿä,
Êóäåñíèêó -- òîí÷àéøèé òîò ïðèáîð
È ìåëàíõîëèêó -- âèíòîâî÷íûé çàòâîð.
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2. The Preparations
All had been ordered weeks before the start
From the best firms at such work; instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.
A watch, of course, to watch impatience fly
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun
And colored beads to soothe a savage eye.
In the theory they were sound on Expectation
Had there been situations to be in;
Unluckily they were their situation:
One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.
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Çäåñü îáíÿëèñü îíè, ïðîùàÿñü. Áîëüøå íå
Èì ñâèäåòüñÿ. Ïî ñîáñòâåííîé âèíå.
Îäèí ðâàíóëñÿ ê ñëàâå; øóìíîé ëîæüþ
Ñðàæåí áåçæàëîñòíî, åäâà íà÷àâøè âçëåò,
Äðóãîé ïîõîðîíèë ñåáÿ â ãëóøè, ïî áåçäîðîæüþ
Ñìåðòü òàùèòñÿ çà íèì òóäà êîòîðûé ãîä.
Ðàñïóòüÿ, ïðèñòàíè, êîëåñ âàãîííûõ ñòóê,
Î, âñå ýòè ìåñòà ðåøåíèé è ðàçëóê,
Êòî ìîæåò ïðåäñêàçàòü, êàêîé ïðîùàëüíûé äàð
Óêðîåò äðóãà îò áåñ÷åñòüÿ ñâîåé ñåíüþ,
È íóæíî ëü âîîáùå åìó èäòè òóäà,
 êðàÿ ïîãàíûå è òàì èñêàòü ñïàñåíüÿ?
Îáúÿòû ñòðàõîì ñòðàíû è ïîãîäû.
Íèêòî íå çíàë, âñòóïèâ â áîðüáó ñî çëîì,
×òî âðåìÿ íå ïîøëåò èì îòêðîâåíüÿ;
Èáî ëåãåíäû óòâåðæäàþò: äëÿ äåÿíüÿ
Ïðåäåë îøèáîê îãðàíè÷åí ãîäîì.
Êàêèõ äðóçåé åùå ïðåäàòü è, ïîêèäàÿ äîì,
Êàêèì âåñåëèåì îòñðî÷èòü ïîêàÿíüå,
Õîòÿ, ÷òî ïðîêó â äíå åùå îäíîì
Äëÿ ïóòåøåñòâèÿ äëèíîþ âî ìãíîâåíüå?
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3. The Crossroads
The friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
The empty junction glitters in the sun.
So at all quays and crossroads: who can tell,
O places of decision and farewell,
To what dishonor all adventure leads,
What parting gift could give that friend protection,
So orientated, his salvation needs
The Bad Lands and the sinister direction?
All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for. Yet
Who would complete without extra day
The journey that should take no time at all?
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 ïðåäìåñòüè íåò îêíà, ÷òîá îñâåòèòü òó ñïàëüíþ,
Ãäå â ìàëåíüêîì æàðó îãðîìíûé äåíü èãðàë;
Ãäå ìíîæèëèñü ëóãà, ãäå ìåëüíèöû íåò äàëüíåé,
Ëþáâè èçíàíêó ìåëþùåé ñ óòðà.
Íè ïëà÷óùèõ ïóòåé, ñêâîçü ïóñòîøè âåäóùèõ
Ê ñòóïåíÿì çàìêà, ãäå Ìîùåé Âåëèêèõ ñêëåï;
Ìîñòû êðè÷àëè: «Ñòîé!», çà ïëàù öåïëÿëèñü êóùè
Âîêðóã ðóèí, ãäå äüÿâîë øåë ñëåä â ñëåä.
Îí ïîâçðîñëåòü ìå÷òàë, çàáûòü, êàê ýòîò ñîí,
Âñå çàâåäåíèÿ, ãäå èõ ó÷èëè ðóêè ìûòü è ëãàòü,
È èñòèíó ñêîðåé âçâàëèòü ñåáå íà ïëå÷è,
Òó, ÷òî âåí÷àåò âçäîõà ãîðèçîíò,
Æåëàÿ áûòü óñëûøàííîé è ñòàòü
Îòöîâñêèì äîìîì, ìàòåðèíñêîé ðå÷üþ.
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4. The Pilgrim
No windows in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.
Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.
Could he forget a child's ambition to be old
All institutions where it learned to wash and lie,
He'd tell the truth, for which he thinks himself too young,
That everywhere on the horizon of his sigh
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.
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 ïðîâèíöèè, òàì, ãäå ïðîøëî èõ äåòñòâî
 ïîçíàíüè Íåèçáåæíîñòè, â ïóòè
Îíè ó÷èëè, ÷òî èì íèêóäà íå äåòüñÿ
Îò Íåèçáåæíîñòè, îäíîé íà âñåõ, êàê íè êðóòè.
Íî â ãîðîäå óæå èõ ðàçëè÷àëè,
Íà âåðó äåðåâåíñêóþ ïëþÿ,
Ñóòü Íåèçáåæíîñòè ïîäîáíà òàì ïå÷àëè --
Ó êàæäîãî, êàê íè êðóòè, ñâîÿ.
Îí, êàê è âñå îíè, ïðèæèëñÿ áåç ïðîáëåì,
Ñðåäè ñîáëàçíîâ ìíîãèõ âûáèðàÿ
Îäèí, ÷òîá çàâëàäåë èì è ïîâåë,
×òîá, ñîâåðøåíñòâóÿñü â èñêóññòâå áûòü íèêåì,
Ñèäåòü íà ïëîùàäè, ñî ñìåõîì íàáëþäàÿ,
Êàê âõîäÿò â ãîðîä þíîøè èç ñåë.
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5. The City
In villages from which their childhood's came
Seeking Necessity, they had been taught
Necessity by nature is the same,
No matter how or by whom it be sought.
The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.
And offered them so many, every one
Found some temptation fit to govern him;
And settled down to master the whole craft
Of being nobody; sat in the sun
During the lunch-hour round the fountain rim;
And watched the country kids arrive, and laughed.
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Ñòûäÿñü ñòàòü áàëîâíåì ñâîåé ïå÷àëè,
Îí â áàíäó ðîññêàçíåé áåñïóòíåéøèõ âñòóïèë,
Ãäå äàð åãî ÷óäåñíûé âñå ïðèçíàëè,
Èçáðàâ ãëàâîé þíî-âîçäóøíûõ ñèë,
Êòî ãîëîä ïðåâðàùàë â ëàòèíñêóþ ïîõëåáêó,
È õàîñ ãîðîäà -- ïî ìàíîâåíüþ -- â ïàðê,
È îäèíî÷åñòâî ëþáîå -- äåâîé ðîáêîé --
Çàñòàâèòü ìîã ñîéòè ê íåìó âî ìðàê.
Íî åñëè â ïîìûñëàõ ñâîèõ îí áûë ïðåäåëüíî ïðîñò,
Íî÷ü øëà çà íèì, êàê ñ òîïîðîì ïîäîíîê.
Äîìà êðè÷àëè: «Âîð!», çàõëîïûâàÿ äâåðè.
Êîãäà æå Èñòèíà ïðåä íèì ïðåäñòàëà âî âåñü ðîñò,
Îí â ïàíèêå ïðèíèê ê òâåðäûíå ýòîé — âåðå
È ñæàëñÿ, êàê îò îêðèêà, ðåáåíîê.
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6. The First Temptation
Ashamed to be the darling of his grief
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;
Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.
But if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;
And when Truth met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.
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Êíèã ýòèõ áåçìÿòåæíûå ðÿäû
Êàê áóäòî áû è âïðÿìü ñóùåñòâîâàëè —
Îí îòøâûðíóë ñîïåðíèêa òðóäû
È çàñòó÷àë íàâåðõ ïî ëåñòíè÷íîé ñïèðàëè.
È îí âñêðè÷àë, ñêëîíÿñü íà ïàðàïåò:
«Èçâå÷íîå Íè÷òî, ñòðàñòü áåç êîíöà è êðàÿ,
Î, îòïóñòè òîãî, êòî ñîâåðøåíñòâà ñâåò
Ïîçíàë ñåé÷àñ, ñ Òîáîé îòîæäåñòâëÿÿ.»
È êàìíÿ íåìóäðåíîå òîìëåíüå
Îí îùóùàë äðîæàùåþ ðóêîé,
Êàê ïðèç åìó çà ïîäâèã âîñõîæäåíüÿ,
Êàê îáåùàíèå, ÷òî ïëîòü óãîìîíèòñÿ
È îáðåòåò, ñòðàäàëèöà, ïîêîé.
È â ëåñòíè÷íûé ïðîåì íûðíóë -- ÷òîáû ðàçáèòüñÿ.
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7. The Second Temptation
The library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's silly book,
And clattered panting up the spiral stair.
Swaying upon the parapet he cried:
«O Uncreated Nothing, set me free
Now let Thy perfect be identified,
Unending passion of the Night, with Thee.»
And his long suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,
Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.
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Îí ïðèíöåâ èçó÷àë, ïîõîäêó èõ è ñòàòü,
×òî äåòè ãîâîðÿò, î ÷åì ñóäà÷àò æåíû,
Îí â ñåðäöå ñòàðûå ìîãèëû âñêðûë ïîçíàòü,
Êàêèå ìåðòâåöàì íå ïèñàíû çàêîíû.
È íåîõîòíî çàêëþ÷èë: «Âñå âðóò
Ëþáèòåëè ïîìóäðñòâîâàòü ëóêàâî
È ê áëèæíåìó ëþáîâü -- ïðè÷èíà ññîð è ñìóò,
È ïåñíÿ æàëîñòè -- áåñîâñêàÿ çàáàâà.»
È ïðåä ñóäüáîé ñêëîíèëñÿ òàê, ÷òî âñêîðå,
Íàä âñÿêîé òâàðüþ ñòàë ñóäüåþ è îòöîì,
Ïîêà íå âñòðåòèë îí â ðàçðóøåííîì ñîáîðå
 íî÷íîì êîøìàðå, â òåìíîì êîðèäîðå
Ôèãóðó ñ ïåðåêîøåííûì ëèöîì,
Åãî ëèöîì, âîïÿùóþ: «Î, ãîðå !...»
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8. The Third Temptation
He watched with all his organs of concern
How princes walk, what wives and children say;
Reopened old graves in his heart to learn
What laws the dead had died to disobey.
And came reluctantly to his conclusion:
«All the arm-chair philosophers are false;
To love another adds to the confusion;
The song of pity is the Devil's Waltz.»
And bowed to fate and was successful so
That soon he was the king of all the creatures:
Yet, shaking in an autumn nightmare saw,
Approaching down a ruined corridor,
A figure with his own distorted features
That wept, and grew enormous, and cried Woe.
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Àðõèòåêòóðà ýòà äëÿ áëàãèõ;
Âîò òàê è ãíàë èõ ñòðàõ íà øòóðì íåáåñ,
Ïîêà Ãîñïîäü íå ïðîÿâèë ê íèì èíòåðåñ,
Îòìåòèâ äåâû íåïîðî÷íûé ëèê.
Ïî÷èþò çäåñü ìèðû òðèóìôîâ, è â íî÷è
 àáñòðàêòíûõ äîìûñëàõ Ëþáîâü äîòëà ãîðèò.
È Âîëÿ ññûëüíàÿ, âåðíóâøèñü, ãîâîðèò
Òàêèì âîçâûøåííûì ñòèõîì, ÷òî ïëà÷óò ïàëà÷è.
Êîëîäåö áû âçàìåí óæ ëó÷øå á ñëàäèòü èì,
Íî èõ ïðåñëåäóåò âîäîáîÿçíü. Ñåé÷àñ
Êòî âèäèò âñå, ñòàíîâèòñÿ íåçðèì.
Íî è âîëøåáíèêàì çäåñü íåëåãêî ñàìèì --
Îíè, ïî êëèìàòó íîðìàëüíîìó òîìÿñü,
Ïðîõîæåìó âçäîõíóò: «Îñòåðåãàéñÿ íàñ!»
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9. The Tower
This is architecture for the odd;
Thus heaven was attacked by the afraid,
So once, unconsciously, a virgin made
Her maiden head conspicuous to a god.
Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that lets its traitors weep.
Yet many come to wish their tower a well;
For those who dread to drown of thirst may die,
For those who see all become invisible:
Here great magicians caught in their own spell
Long for a natural climate as they sigh
«Beware of Magic» to the passer-by.
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×òîá çâåðÿ óáëàæèòü, íàðîä åäèíîðîãó,
Äåâ íåïîðî÷íûõ, ïî îáû÷üþ, ïîñòàâëÿë.
Ñðåäü äåâñòâåííèö, îäíàêî, ñëàâà áîãó,
Ïðîöåíò êðàñàâèö áûë íè÷òîæíî ìàë.
Ãåðîé îòâàæåí áûë; íå âðàëè, çíàòü, çíàìåíüÿ,
Íî ñòðàííûé îïûò ñâîé îí îò íàðîäà ñêðûë.
È àíãåë ñëîìàííîé íîãè, êàê èçáåæàòü ïàäåíüÿ,
Ê íåìó ñîéäÿ, â õîëìàõ åãî ó÷èë.
×òî æ, îáíàãëåâ, èäòè îíè ðåøèëè ñàìè,
Òóäà, ãäå ñ ëüâàìè èì îòâåäåí áûë ïðèäåë;
È ñòàëè â ïîëïóòè, ïåùåðó îáíàðóæèâ.
Íó à äëÿ òåõ èç íèõ, êòî äî àáñóðäà ñìåë,
Îñòàëñÿ âûáîð -- âûáðàòüñÿ íàðóæó
È, ìîíñòðà âñòðåòèâ, ïðåâðàòèòñÿ â êàìåíü.
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10. The Presumptuous
They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.
The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.
So in presumption they set forth alone
On what, for them, was not compulsory:
And stuck halfway to settle in some cave
With desert lions to domesticity;
Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.
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Åãî ðîäèòåëè òÿíóëèñü, êàê ìîãëè
×òîáû ÷àäî îòëó÷èòü îò ÷àõëîé èõ çåìëè
Äëÿ ïîïðèùà ïî÷åòíåå ñòîêðàò,
×òîá çóáû ñæàë, íî ñòàë áîãàò.
Àìáèöèé èõ íåèñòîâûé íàêàë
Äèòÿ äóáðàâ áåçóìíî èñïóãàë.
È îí ðåøèë — ëþáâè òàêîé
Äîñòîèí ðàçâå ÷òî ãåðîé.
È âîò îí çäåñü áåç ïèùè è áåç êàðò
È íè æèâîé äóøè óæå êîòîðûé äåíü
È íåïåðåíîñèì ïóñòûíè çëîáíûé âçãëÿä.
Îí ïîä íîãè âçãëÿíóë è òàì óâèäåë òåíü,
Ïîñðåäñòâåííîñòè, òîé, ÷åé èäåàë
Áûë Èñêëþ÷èòåëüíîñòü. È â óæàñå áåæàë.
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11. The Average
His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those smart professions which
Encourage shallow breathing, and grow rich.
The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.
So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood--shot eyes;
The silence roared displeasure: looking down,
He saw the shadow of an Average Man
Attempting the Exceptional, and ran.
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×èíîâíèê èçóìëåí — âåäü îí áûë íàçâàí
Ñðåäü òåõ, êòî çà òåðíîâûì òàì ñòîÿë âåíöîì
È â ñïèñîê çàíåñåí ðåøèòåëüíûì îòêàçîì.
Óæ íå ñêðèïèò ïåðî. È ñòðàñòîòåðïöåâ ëèêè
Îí, îïîçäàâøèé, íå óìíîæèò, ñòàëî áûòü.
Îñòàëîñü ÿçûêà ðàçäâîåííûì êîíöîì
Èñïûòûâàòü ðåøèòåëüíîñòü þíöîâ
Ðàññêàçàìè î ïðîìàõàõ âåëèêèõ
È èðîíè÷íîé ôðàçîþ áåçóäåðæíûõ ñòûäèòü.
Òåïåðü ãëóìÿòñÿ çåðêàëà è íàä åãî îøèáêîé,
Âèäàòü ïðèøëà ïîðà ó æåíùèí è ó êíèã
Íàñìåøíèêó, ÷åé ñòèëü -- óêîë ðàïèðîé ãèáêîé,
Ó÷èòüñÿ çðåëîñòè, çàòêíóòüñÿ õîòü íà ìèã,
Ñìèðÿÿ ìàíèè ñâîè âïîëíå ìèðñêîé óëûáêîé.
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12. Vocation
Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.
The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue
To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise
Though mirrors might be hateful for a while,
Women and books should teach his middle age
The fencing wit of an informal style
To keep the silences at bay and cage
His pacing manias in a worldly smile.
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Âëþáèëñÿ â âåäüìó ðàöèîíàëèñò
È â êàìåíü ïðåâðàùåí â ïðîöåññå ñïîðà:
Ñâåðõïîïóëÿðíûé òðîíóëñÿ, êîãäà âñå îòðåêëèñü,
È ñâåðõáîãà÷ äîáû÷åé ñòàë äëÿ âîðà,
È îçâåðåë îò ïîöåëóåâ ñâåðõñàìåö.
Íî çåëüÿ äåéñòâèÿ íàäîëãî íå õâàòèëî,
Õîòÿ âîññòàíîâèëàñü ïîä êîíåö
Èíãðåäèåíòîâ ñîçèäàòåëüíàÿ ñèëà
Äëÿ òåõ, êòî ñëåäîâàë ñâîèì æåëàíüÿì.
Ïî òåì êàìíÿì òðîïó íàéäåò íåçðÿ÷èé,
È ê ñâåòó äóðàêó óêàæåò ïóòü áåäíÿê,
Äðà÷ëèâûé ïåñ ðàñøåâåëèò äâîðíÿã,
È äàæå ñóìàñøåäøèé îçàäà÷èò,
Òîñêëèâî áîðìî÷à ëèõèå ïðåäñêàçàíüÿ.
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13. The Useful
The over-logical fell for the witch
Whose argument converted him to stone;
Thieves rapidly absorbed the over-rich;
The over-popular went mad alone,
And kisses brutalized the over-male.
As agents their effectiveness soon ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
To those still able to obey their wish.
By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.
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Âñå ÷òî óãîäíî ìîæíî òåïåðü íàéòè
 ýíöèêëîïåäèè Ïóòè.
Çàìåòêè ëèíãâèñòà, íàó÷íûå ðàöèè
Î íîâîé ãðàììàòèêå ñ èëëþñòðàöèÿìè.
Èçâåñòíî êàæäîìó -- ãåðîé äîëæåí ñòðàäàòü îò ëèøåíèé,
Íà ñòàðóþ êëÿ÷ó ñòàâèòü, èçáåãàòü ïîëîâûõ ñíîøåíèé,
Èñêàòü äîõëóþ ðûáó, äàáû åé ñîñòðàäàòü:
Òåïåðü êàæäûé äóìàåò ÷òî ëåãêî îòûñêàòü
Òðîïó ÷åðåç ïóñòîøü, ê ñêàëå, ãäå õðàì --
Æèòü ïîä Òðîéíîé Ðàäóãîé èëè ïî Àñòðàëüíûì ×àñàì,
Çàáûâàÿ, ÷òî çíàíèÿ èñõîäÿò îò ñîëèäíûõ ëþäåé,
Òåõ, êòî ëþáèò ðûáà÷èòü è ñòàâèòü íà ëîøàäåé.
È ìîæåò ëè èñòèíà áûòü íàäåæíîé âïîëíå
 ðåçóëüòàòå ñàìîàíàëèçà è ïðèáàâëåíèÿ Íå?
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14. The Way
Fresh addenda are published every day
To the encyclopedia of the Way.
Linguistic notes and scientific explanations
And texts for schools with modernized spelling and illustrations.
Now everyone knows the hero must choose the old horse,
Abstain from liquor and sexual intercourse,
And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,
The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock
Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then
And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?
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Îí ìîã âíèìàòü, ïîëîæèì, ýðóäèòàì
Íå îáíàðóæèâ, âïðî÷åì, ìóäðîñòè ðîäíèê;
Íà ñâèñò åãî áåæàë, ïîëîæèì, ôîêñòåðüåð,
Íî Òðîÿ, õîòü òû ïëà÷ü, íå èì áûëà îòêðûòà.
Îí âûãíàòü ìîã ëåíèâîãî ëàêåÿ, íàïðèìåð,
Íî êðèïòîãðàììà, õîòü óìðè, íå âûïîðõíåò èç êíèã.
«Òî áûë íå ÿ,» -- âñêðè÷àë îí â èçóìëåíüè,
Ïåðåñòóïèâ ïðåäøåñòâåííèêà ïðàõ, --
«Îáÿçàí âñåì ÿ ãëóïîìó íàïåâó
×òî îøàðàøèë Ñôèíêñà íà ìãíîâåíüå.
Òî ðûæèé öâåò êóäðåé ìíå âûèãðàë Êîðîëåâó
Âîîáùå, íå ãëóïî ëè áîëòàòüñÿ â òåõ ìåñòàõ?»
È Ïîðàæåíèå ñ òåõ ïîð íå óñòàåò ïûòàòü
Âîçìîæíî ëü ïîáåäèòü, íå âåðÿ â Áëàãîäàòü?
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15. The Lucky
Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.
«It was not I,» he cried as, healthy and astounded,
He stepped across a predecessor's skull;
«A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull.»
Hence Failure's torment: «Was I doomed in any case,
Or would I not have failed had I believed in Grace?»
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Îí îò ïðÿìîãî óõîäèë îòâåòà:
«×òî ãîñóäàðü ñêàçàë?» -- «Íå òîðîïèñü, ÷óäàê.»
«À âèäåë òû âîñüìîå ÷óäî ñâåòà?»
«Ñðåäü íèùèõ ÷åëîâåê — Íè÷òî, êîãäà îí ñèð è íàã.»
«Îí ê ñëàâå íå ãîòîâ,» -- øåë øåïîòîê çëîâåùèé --
«Âèäàòü, äëÿ êóðàæà ðèñêóåò ãîëîâîé.»
«À ñàì ëèöîì íó ÷òî òâîé áàêàëåéùèê.»
È ïåðåñòàëè íàçûâàòü, êàê ïðåæäå, «Íàø ãåðîé.»
Îò òåõ, êòî æèçíüþ íèêîãäà íå ðèñêîâàë,
Îí îòëè÷àëñÿ. Íåâçèðàÿ íà óõìûëêè,
 äåòàëÿõ òî÷åí áûë, ê ïîðÿäêó ïðèçûâàë,
Ëþáèë ãàçîí ïîäñòðè÷ü è çàõìåëåòü ñëåãêà,
È æèäêîñòè ñëèâàòü èç áóòûëåé â áóòûëêè,
È ñêâîçü îñêîëêè èõ ñìîòðåòü íà îáëàêà.
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16. The Hero
Íå parried every question that they hurled:
«What did the Emperor tell you?» «Not to push»
«What is the greatest wonder of the world?»
«The bare man Nothing in the Beggar's Bush.»
Some muttered, «He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect.»
Soon they slipped back into his Christian name.
The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine.
For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of colored glass.
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Èíûå ê ëåâûì ïðèáèâàëèñü. Äî ñèõ ïîð,
Èç-çà ïðîòåñòîâ. «À, ïîäè âñå ïðàõîì!» --
Çàêîíîì èçãíàííûé, îò÷àÿâøèéñÿ âîð
È ïðîêàæåííûé -- îáîþäíûì ñòðàõîì.
Òåïåðü íèêòî íå îáâèíÿåò â ãðàáåæå
Èëè áîëåçíè. Âñëåä èì ñ ñîæàëåíüåì
Äðóçüÿ ãëÿäÿò -- «Ñìîòðè, îíè óæå
Óõîäÿò â îíåìåíüå è çàáâåíüå.»
×åðíü ñòàâèò íà âî âñåì ñåáå ïîäîáíûõ,
Êòî ðâåòñÿ ê ôèíèøó, íî ñ äåòñòâà èì çíàêîì,
Íà ñ ÷åòíûì íîìåðîì, â óïðÿæêå, æåðåáöà.
È Áåçûìÿííîå ïîíÿòíåé íåñâîáîäíûì;
Ñ÷àñòëèâ÷èêè ñêîðåé ðèñêíóò âñåì êîøåëüêîì,
×åì âñòðåòÿò âçãëÿä Ñëèíÿâøåãî Òâîðöà.
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17. Adventure
Others had swerved off to the left before,
But only under protest from outside,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.
Now no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.
The crowd clung all the closer to convention
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:
The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.
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Ïóòåì Íåïðàâåäíûì -- òóäà, ãäå Ñóøü. Îò çíîÿ
Îíè âðàùàëèñÿ âîë÷êîì, è èñêóøàë èõ áåñ,
Øëè ó ïóñòûõ ïåùåð, â âèäó ïóñòûõ íåáåñ
Îñòàâèâ ïàìÿòü, êàê ïîìîè, çà ñîáîþ.
Ê çàáâåíüþ ïðèçûâàëà ìîíñòðîâ ñòàÿ,
Ðîæäåííàÿ èç ýòèõ ñìðàäíûõ ëóæ.
Êðàñîòêè èçáåãàëè èõ, ê òîìó æ
Îíè óïðÿìî ñëàâèëè Àáñóðä, îò æàæäû óìèðàÿ.
È â ÷óäåñà îíè èçâåðãëè ñåìÿ âåðû,
×òîá îáðàçû ãðîòåñêíûõ èñêóøåíèé
Õóäîæíèêîâ èíûõ âîñïëàìåíÿëè ãåíèé.
È æåí áåñïëîäíûõ ñîíì è ÷àõëûå äåâèöû,
 íàäåæäå, ÷òî íàéäóò èõ êàâàëåðû,
Ïðèøëè ê íèì ëåäÿíîé âîäû êîëîäåçíîé íàïèòüñÿ.
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18. The Adventurers
Spinning upon their central thirst like tops,
They went the Negative Way toward the Dry;
Be empty caves beneath an empty sky
They emptied out their memories like a slop
Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet
Still praising the Absurd with their last breath.
They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration;
And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.
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Øóòíèê, îðàêóë è ïîýò,
 ñàìîïîçíàíüÿ ãëÿäÿ ïðóä,
Æäóò íà äóðíîé âîïðîñ îòâåò —
Ïðèòÿíåò ëè ñ íàæèâêîé ëåñà
Èñêîìûé âåêòîð èíòåðåñà,
È îá óëîâå íî÷üþ âðóò.
Íî áóðÿ òîïèò òî è äåëî
È õðóïêèõ äîïóùåíèé ïëîò,
È ïðàâåäíèêà, è ëèöåìåðà.
Èõ òÿíåò ôåíîìåí íà äíî —
Ñòðàäàëüöåâ — è óæ çàîäíî
Êî äíó ñòðàäàíèå èäåò.
È âîäû æàæäóò äàòü îòâåò
Íà ïðàâèëüíûé âîïðîñ, íî íåò.
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19. The Waters
Poet, oracle and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest;
At nightfall tell the angler's lie.
With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.
The waters long to hear our question put
Which would release their longed-for answer, but.
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Çà ýòîé äâåðüþ ïóòü ê íà÷àëó âñåõ îñíîâ;
Ìåðöàåò áåëîå ñêâîçü çåëåíü, íî áåç ñòðàõà
Èãðàþò äåòè çäåñü â ñåðüåçíûõ ñåìü ãðåõîâ,
È â ñìåðòü õîçÿèíà ïîâåðèò çäåñü ñîáàêà.
Çäåñü îòðîêè òîðîïÿò ÷èñëà, íî
Çäåñü âðåìÿ êîëüöàìè íà êàìíå ïðîñòóïàåò,
Çäåñü ïëîòü è òëåí èçâå÷íî çàîäíî,
Êîãäà æèâûõ ñîãëàñüå ðàçäðàæàåò.
Çäåñü ïóòåøåñòâèÿì êîíåö. È â ñóìðà÷íîé àëëåå
Çäåñü îäèíî÷åñòâî ïå÷àëüíîé ñòàðîé ëåäè
Âåëè÷üå ðîç ñêðûâàåò êàê ïëàùîì,
Çäåñü ñòàðöû, èñêóøåííûå â áåñåäå,
Êðàñíåþò ïîä çâåçäû ïðîíçèòåëüíûì ëó÷îì
È ÷óâñòâóþò, êàê âîëÿ èõ ñëàáååò.
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20. The Garden
Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.
Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.
All journeys die here; wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,
The gaunt and great the famed for conversation
Blushed in the stare of evening as they spoke,
And felt their center of volition shifted.
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