Speaking In Tongues
Guided by Voices

 

Joseph Brodsky

Imitating Nekrasov or Ivanov’s Love Song

 
 

Translated by Boris Leyvi

 
 
Whenever by this very place I pass,
I stay a while and think back of my lass.
I down the straight two hundred from a glass.
This nuisance, river, at my tiptoes floats,
And in my mind I say to it: Float by.
The bridge Liteynyi and the freighting boats
I make out through a twinkle in my eye.
My bride fell in love with my friend, and at it
I nearly killed them, being on a brink.
The law is strict; though, to my only credit,
I kept it cool and frequented a drink.
I drank like fish, and if another minute
They kept me on the crew, I'd sear like coal.
When I see a phone booth, I go in it, —
I go in it and sometimes make a call.
My friend picks up the phone. We do the chatting.
He says to me: How are ya, Ivanov!
How am I? I don't answer, and he, fretting,
Screams: Come and see the boys, don't vanish off!
I could have made them for her, but, for real,
He made them. Period. Dash. My turn to speak.
And I scream back: The next week, it's a deal! —
But calendars do not have such a week.
This hand, in which I carry half a keg,
Grabbed on her bosom through the slender clothes.
On ottomans, in corners, on the rag.
The other night — that’s when I feel this was.
The limbs rip up my pants right on the stitches,
Upon the sofa — wooly trenches leave.
And my throat wants to holler loudly: Bitches! —
But god knows why it only says: Forgive.
Forgive? Whom? Why? When I hear screaming seagulls,
I get the violent shivers down my crotch.
She screams like that when comes. And then she giggles.
And then she cuddles and murmurs: No, don’t touch.
I knew her like that and before our cuddle,
But life speeds on, not thinking of demise.
And I will get myself another bottle:
Its color’s like the color of her eyes.

Èîñèô Áðîäñêèé

Ïîäðàæàþ Íåêðàñîâó Èëè Ëþáîâíàÿ Ïåñíü Èâàíîâà

 

 

 

 
Êàæèííûé ðàç íà ýòîì ñàìîì ìåñòå
ÿ âñïîìèíàþ î ñâîåé íåâåñòå.
Âõîæó â øàëìàí, çàêàçûâàÿ äâåñòè.
Ðåêà áåæèò ó íîã ìîèõ, çàðàçà.
ß ãîâîðþ åé ìûñëåííî: áåæè.
 ãëàçó — ñëåçà. Íî âèæó êðàåì ãëàçà
Ëèòåéíûé ìîñò è ñèëóýò áàðæè.
Ìîÿ íåâåñòà ïîëþáèëà äðóãà.
ß êàê óçíàë, òî ÷óòü èõ íå óáèë.
Íî Êîäåêñ ñòðîã. È â ÷åì ìîÿ çàñëóãà,
÷òî âûäåðæàë õàðàêòåð. Ïðàâäà, ïèë.
ß ïèë êàê ðûáà. Åñëè á ñ êîìáèíàòà
íå âûãíàëè, òî ñãíèë áû íà êîðíþ.
Êîãäà ÿ âèæó áóäêó àâòîìàòà,
òî ÿ âõîæó è èíîãäà çâîíþ.
Ïîäõîäèò äðóã, è ìû áàçëàåì ñ äðóãîì.
Îí ãîâîðèò ìíå: Êàê, òû, Èâàíîâ?
À êàê ÿ? ß ìîë÷ó. È îí ñ èñïóãîì
Çàéäè, êðè÷èò, âçãëÿíóòü íà ïàöàíîâ.
Èõ ìîã áû ñäåëàòü ÿ åé. Íî íà äåëå
èõ ñäåëàë îí. È òî÷êà, è òèðå.
È ÿ êðè÷ó â îòâåò: íà òîé íåäåëå.
Íî òîé íåäåëè íåò â êàëåíäàðå.
Ðóêà, ãäå ÿ äåðæó òåïåðü ïîëáàíêè,
Ñæèìàëà åé ñêâîçü ïëàòüÿ áóôåðà.
È ïðî÷åå.  óãëó íà îòòîìàíêå.
Òàêîå âïå÷àòëåíüå, ÷òî â÷åðà.
Ìîñëû, ïåðåïîëíÿþùèå áðþêè
âàëÿëèñü íà êðîâàòè, âñå â øåðñòè.
È ãîðëî õî÷åò ãðîìêî êðèêíóòü: Ñóêè!
Íî ïî÷åìó-òî ãîâîðèò: Ïðîñòè.
Çà ÷òî? Êîãî? Êîãäà ÿ ñëûøó ÷àåê,
òî ðåçêèé êðèê ìåíÿ áðîñàåò â äðîæü.
Òàêîé æå çâóê, êîãäà îíà êîí÷àåò,
õîòÿ ïîòîì åùå ìû÷èò: Íå òðîæü.
ß çíàë åå òàêîé, à ðàíüøå — öåëîé.
Íî æèçíü ëåòèò, çàáûâ ïðî òîðìîçà.
È ÿ âîçüìó åùå áóòûëêó áåëîé.
Îíà íà öâåò êàê ó íåå ãëàçà.