Speaking In Tongues
Ëàâêà ßçûêîâ
ÀÒËÀÑ ÀÍÀÒÎÌÈÈ ÏÈÀÍÈÍÎ
* * *
ãîðêîé âíåçàïíîãî ïàëüöà
ñîñêàëüçûâàåò êîë¸ñèêîì
òóìàííàÿ óòðà äðîæü
â ãîëîñå — âîêàë
ÊÀÌÅÐÒÎÍ
âèëêà ýòà çâóêîì ñêðåæåùåò…
ìåæäó çóáöîì è çóáàìè
ñëîìàíî êàêîå-òî êîëåñî
ïîëîâèíó â ãîðëî
îñòàëüíûå ñïèöû âîòêí¸øü â
ÔÎÐÒÅÏÜßÍÎ
â ôîðòå
ïüÿíî
è òû ïåé
ïåé ñî ìíîé ïåé
íî
êëàâèøè
óïîëçàþùèå êëàâèøè
íà çìåèñòûõ îòðîñòêàõ
íà ðàñòèòåëüíûõ ïàëüöàõ
ÁÈÎÊËÀÂÈØÈ
âûøå
âûøå âîçüìè
ïîäíèìè íà ïîëòîíà
ìåíÿ ïîäíèìè íà òîíàëüíîñòü
è ÏÅÄÀËÜÞ
— â äèåç
* * *
by a monticule of the sudden dactyl
the little wheel of the trembling
morning foggily slips
and vocal is the voice
the tuning fork rasps with the pitch…
some wheel is cranking
between the dents and the teeth
the crescent sticks in the throat
and the rest of the spokes is
driven into the
pianoforte
inebriated
thirst with me drink
with me but
the keys askew
on spicula
and palpi crawling
chromatically
higher
sharper
take me higher and
drop me
sharp
* * *
like a tactile splash
like a trembling wheel
the morning will slip out the fog
vocal is the voice
the fork will tune the sound screeching
the wheel is idling
between the dents and the tooth
the semispokes spear the throat
and you'll stick the rest of them
into the pianoforte
in the groggy
draught drink
drink with me drink
but the keys
like flagella
like tentacles
will sprawl colored
higher
with a sharp note
take me higher
and sharper
drop
* * *
ñî÷àñü ùåêî÷àñü ñïðûñêèâàÿ
áü¸òñÿ áü¸òñÿ êîë¸ñèêî
øåëóøèòñÿ óòðî òóìàíîì
îõðèïøàÿ âèëêà âèçæà
âñòóïèò â äóýò ñî ñëîìàííîé îñüþ
âÿëî ïðîñíóâøåéñÿ
ñïè÷êîé î çóáû çóáöû
æàáðû ñòÿíóëî… íî âñêðûòü
êèøêè ôîðòåïüÿíî
äëèííûì øèëîì
âñóõóþ.
âûïåé ñî ìíîé
âîçáóæäàþùèé
êëàâèøè íåðâ
ðîò
èçìó÷åííûé êðàñêîé
âûøå
ïðîíçàÿ
âîçüìè ìåíÿ
ïàäàÿ
ââåðõ
* * *
êàïëÿìè
êëàâèøè
âûøå è
âûøå
ïðîõëàäíåå
õâàòèò
ïîä ïàëüöàìè ñýìà
ëèøíèì àêêîðäîì
åëå
ñëûøíî
äðîãíóëî
óòðî
à ãîëîñ ðàñïÿò
êîëåñîâàí
âûáðàñûâàåòñÿ èç îêíà
ñïèöû ëîìàþòñÿ
ãíóòûå îñè òóìàíà
õîëîäîì ñâîäèò çóáöû
ñóõî ñõîäÿòñÿ â õðèïå
êëþ÷èöû
ïîä ïàëüöàìè
äûøàò
ñëóøàÿ
òèøå
òè
øå
* * *
palping the
key of
casablanca
with the black and white
dark and cool
hand
with the one only one only one only
odd out of three
hardly fingers
faintly
shud
crude
grume
cold,
cold is the hand
chilly like needle like one extra finger
of an axis in fog they are left and the tooth
aches the pang is dragged from the fog
and bent by the pang is the bone
of the clavicle key
by the prickly the one only one only
brushing
hushed
soundlessly
only for them to
hear
* * *
ôîðòî÷êà ôûðêíóëà
âåòðîì ïîä óòðî
ñêðèïíóëî êðåñëî
íî÷ü èñòîí÷èëàñü
äî ñïèöû äî ñïè÷êè
ïîñëåäíèé êëóáîê
ïîñèíåâøåãî äûìà
íàíèçàí íà îñòðûå
ñòðóéêè ìåòàëëà
óñòàëîñòü îñòàëàñü
ñî ìíîé íåäîïèòûì
íà êëàâèøàõ òâîåãî
ôîðòåïèàíî
* * *
ëåïå÷à, óõî ùåêî÷à, â íåãî êàòÿñü êîëåñî
ñîêðàùàåòñÿ ïóëüñîì
êîæà óòðà ñëîèòñÿ òóìàíîì
âèëêà ñèïëî â ãîðëå ïî¸ò
íà äâà ãîëîñà ñ çàçóáðåííîé îñüþ
ãëóõî åäâà áîäðñòâóÿ
çóáöû çóáîòû÷êàìè â ä¸ñíàõ
â ïëàñòèíêè òåñíî âîòêíóò ëàíöåò
øèëî —
âî âíóòðåííîñòü ïèàíèíî
ïåé ñî ìíîé —
âûñóøè
íåðâíîå
êëàâèøíîå âîëîêíî
ÊÐÀÑÍÛÉ ðîò
îáåññèëåííûé
òëåþùèé
âêëèíèâàÿñú
ïàäàÿ
âîçüìè æå
* * *
the fingers frozen
at the brink of
this blazing lapse of time
melting into quick driplets
of mercury
still cold
inside
playing liquid canzonas
filling the clefts
cleansing the moist
mostly
pulsing
around
aloud
feeling light
to the point
of complete
silence
* * *
ïàëüöû âì¸ðçëè
â ñðûâû êëàâèø
õðèïîì ñò¸ðòûì
ñãëîõëî âðåìÿ
ðòóòüþ
òðîòèëîì
õîëîäíî âíóòðè
êàíöîíåòòà êàíöîíåòòà
â ùåëÿõ êëàâèø
åøü ñûðîñòú
è ë¸ä
ñîêðàùàÿñü
âñëóõ è
âñëåä
îùóùàÿ
ë¸ãêîå
ïîëíîé
ïîêîé
* * *
crawling over the flaming ear (thirsty)
pulsing! pulsing!
the morning derm — like slices of mist, oh —
to wedge the gorge apart
by two by two (thirsty thirsty)
hollow clicks of the axis and tooth
on the gums and on the gums on your gums on
the dents and in the plates…
an eye earlet a drill of the pupil
one gut of the pianoforte chewed in —
drink.
drink.
drink drink the nerve
and drink the piano
with your mouth
grovel
and lap
worming in
keeling over
drink dry
* * *
â ñëóõîâîå îãíåîêíî
ñîêðñîêðàòÿñü
êîæà
óòðî î âîäû
ãîðëî î ñò¸ðëî
ñâåðëîì
÷ó÷åëî îñåâðàùàåòñÿ
î çóá
êîëîòî
î êîë
íà ãëàç
êèøêîé î æèëêîé
÷òîáû ïèòü
÷òîáû ïèòü
èç íå¸ íåðâû ïèòü
èç ä¸ñåí ïèòü ïèàíèíî
èç çìåè âûïèòü
âûïèòü ëåæàùåé
ñâåðíóâøèñü çìåÿ
êîæà âûñîõëà
ñóõîé îáðûâ
* * *
the key is broken out
with its ebony
the insection of the palm
with the harsh white splinter
the piano is opened wide
the lid is torn off
by the strings… the strings
tie up the hands squeeze up the heart
the octave
is pierced criss-cross with the axes
and the crooked
thickly bent key
has skewered the trachea
the fang into the goitre
the song of groans and rattles
* * *
ñëèâàþòñÿ ïëîñêîñòè
êîñòè è ïëîòè
ñïëåòàþòñÿ ëèíèè
ïëåñêà è áîëüíî
äëÿ ñëîâ è ðàñïÿëåíî
ñïèöàìè ãîðëî è
ïëàâèòñÿ ñëóõ è íå
ñëåïíóò ïîä ïàëüöàìè
êëÿêñû çëîé ñîëè
çîëà îñåäàåò íà
ñëèïøèõñÿ ïëåíêàõ è
ñëèøêîì
è ñëèøêîì
ñïåøà è ñëàáåÿ
ñïåøà è
ñëàáåÿ
ñëåòàþò
ñëîèñòûå
ñëåïêè
àêêîðäîâ
* * *
a mark on the skin —
it burns
it withers
my water
the mouth in the morning
hooks
wheels
bends
into axis
the tooth
crookedly
sticks
the pupil of blood
i look and i drink
i look and drink
carpels of pianoforte
the juice
snakes down
i catch and drink
* * *
âëîæè ìîè ïàëüöû âî
âëàæíûå ãóáû êàíöîíû
ïóñòü òàíöóþò ïîòîì íà
êîí÷èêàõ ñïèö ïóñòü
ñêîëüçÿ è öåïëÿÿñü çà
ëåçâèÿ êëàâèø
îêðîïëÿþò êàðìèíîì èõ
áëåäíóþ êîñòü èõ
õîëîäíóþ ïëîòíîñòü
íàïîè êîðíè ïàëüöåâ
ìîèõ ëåãêèì ÿäîì
èñïàðèíû ðàííåé
à òÿæåëûì ãíîåì
ëóíû ïóñòü îíè
ïåðåïîëíÿòñÿ ñàìè
ðàñïëàñòàé èõ ïî êëàâèøàì
êîæè ïî êëàâèøàì ïëîòè
ðàñòðàâè ðóáöû ñòðóí
çàòÿíóâøèõ óçëû íà
àðòåðèÿõ ñòðàõà
îáìàêíè îñòðèÿ ìîèõ
ïàëüöåâ â ðàçâåðñòûå
ÿçâû íåôîðòåïèàíî
* * *
êëàâèêîðäû —
â ãîðñòü
êëàâèø íå ñ÷åñòü
íîòíî
ñûïëåòñÿ ÷åòâåðòÿìè
ïåñíÿ ñêâîçü ïàëüöû
ïèñòîëåòíîå äóëî
âçðûâàåò ðîÿëü
÷¸ðíàÿ êëàâèøà —
â ãîðñòü!
óçåëêàìè ïîäâÿçàíà
äûðà äðîæè ðîÿëÿ
äóëîì ñòðàõà — ñêåëåò ôîðòåïüÿíî
âòûêàåòñÿ â ìÿñî
äåðåâÿííî ñòó÷àùèõ àêêîðäîâ
ãîðñòè ïðîêîëî÷åííû ïàëüöû
ðàñïÿòû íà êëàâèøàõ
äîëãàÿ íåñêîí÷àåìàÿ îêîí÷àòåëüíàÿ
ïåñíÿ îòðûâà îò ïëîòè ôîðòåïèàíî
îñòàíóñú ñ òîáîé
êîñòíûé
âàëüñ
êîñòíûé
âàëüñ
* * *
nebulizing itself
and sublimating
the spokes
into the hollow heaven
the writhen
morn
enters like a shard
of glass like water
into the axis
into the tooth
wringing up
the nerve
the pedal
will run dry
into the rusty music hornbook
wailing at the joints
from runnel to runnel there runs
the staccato
the groan of the piano
with a short dram
* * *
ìåæäó ñïèöàìè
è ñòóïèöåþ
êîëåñà — ïîëîñòü íåáà
ðàçðûõë¸ííàÿ óòðîì
ïðîñò¸ðòîå óòðî
ìåæäó ñïèöàìè ñïèöåé ïðîíç¸ííîå
â âîäó âîðâàòüñÿ!
îòðûâèñòîé îñüþ
ïðîâîäÿ ïî ñòàêàíàì õðîìàþùèõ êëàâèø
çóáüÿìè ïàëüöåâ âçðûâàÿ àêêîðäû
âûêðó÷èâàÿ óøíîé íåðâ
æ¸ñòêî âæèìàÿ ïåäàëú
çâóê ïðèäåðæàí è âûæàò
èçî ðòà ïèàíèíî
ñóõèìè ñëîãàìè
âçâèí÷èâàÿ ñòûêè
æ¸ëòûå îáîäêè
îòäûõàÿ íà êëàâèøàõ
æàëêèå ïàëüöû
òû ïîñëåäíÿÿ êàïëÿ
* * *
between a needle and a prop
there's a shot hole
of air
the busted
bias of the morning
the pin of water
to crack the water open!
the glass waves like the keys.
with an enervated octave —
with the cusp —
with the one seventh of the finger
the septan ear will be knotted
the podal nerve will be wrung until it hurts
the sound is like a pinch-bar in the piano's mouth
the bytes are like thirst
the abscess ascending
the tooone!
(like the yellowy
bone
of a key
the pain is)
* * *
the piano pinned down
drunk
running dry
tangled up in the strings
of pentacles strung
between you and me
tingling
when my tentacles
strangle the pedals
and keys
oh how the vowels howl
flowing off the walls
falling on me
as i'm spread out prone
across the floor
having forced my entry
into the piano
fortress
this time
* * *
ñïèöà
õîëîä
ïîòîëîê
äóëî
ïîëîñòü
èãëà
ñêàòûâàÿñü ïî ñêëîíó
ïîä îòêîñ
êîëåñîì çàöåïëÿÿñü
çóáöîì
çà óêëîí
ñïèöåé âîíçàÿñü â ìÿñî
ÿçâó
êëàâèøåé
æàòü î ïàëüöû
îñè
äèåçîâ
* * *
the piano shrinks away.
the ear's getting drunk.
it's squeezed
in the vise of its ringing strings
squashed and washed between the fingers
this piano drenched in octaves
you put the keys on your fingers depressing the pedal
these are your exploded intestines
their smell the reek from the throat the piano is drunk
it has lost all its keys like gloves
like the gloves the sound is fitting the trembling treble key
so that the walls are crumbling molten by the upper
octave they fall on you enlacing you with wavy seaweed
the sea of music is grown over with water tares
and they wriggle on the floor
these two tentacles for four hands
* * *
ïÿòêîé äàâÿ íà çìåþ
íà óäàâëåííûé çâóê íà
ðàçäàâëåííîå î îêíà è ñòåíû
íîñêîì ïîêà÷èâàÿ íåæíîå î íèç çâóêà
(íè çâóêà — òèøü)
ïîëîå âîëîêíèñòîå êîëîêîë âîçäóõà
êëàâèøè è ìîëîòî÷êè ïèàíî
ïèàíèíî êîëîêîëü÷èêè
ðó÷êè ïåäàëüêè
êëþ÷èêè áóãîðêè
ìîëîòêîì ïî êîëîêîëó ðóêîé
ÿçûêîì èç æåëåçà
ïî îòêðûòûì ñòåíêàì ôîðòå ôîðòå
ôîðòåïüÿíî (ïèàíî)
àíäàíòèíî î
â ùåïêè — ôîðòå
â äåðåâî — ïèàíèíî
* * *
ïèàíèíî
ïüÿíî
î óõî
î ñòðóíû
î ïàëüöû
î îêòàâû
ãëóõè
âû òàê ïðåêðàcíû ñêðèïè÷íûå êëþ÷è
âû òàê ïðåêðàñíûå íåòðîíóòûå ñêðèïêè
âàøè êëþ÷è êàê ãàëîøè
âàøà êðàñíàÿ âíóòðåííîñòü ø¸ëê
ãîëîñ î ïèàíèíî î äðîæü
î ñïîëçàåò ïîñëåäíÿÿ íîòà
äîïîëçàåò äî ïîëà
ñëåçîé ãîëóáîé äóíàåì
óñòàëî-ãîëîâîé-ïî-êðóãó âàëüñ
äâå ðóêè â äâå ðóêè
* * *
the piano
pinko
o oto
o stringo
o dacto
o ctavo
are deaf
you are so lovely the treble keys
you are so beautiful the intact violins
your keys are like galoshes
your red innards are silk
the voice o the piano o the tremble
o the last note is creeping down
it crawls to the floor
like a tear a blue tear the danube
the waggling-the-head-round-and-round waltz
two hands for two hands
* * *
î ïèàíèíî, òû —
êðàñíàÿ ñîíàòà
ëàêîâûå êëàâèøè
ø¸ëêîâîå ïàëüöåì
îêòàâà îêòàâà
(îãëîõëà
îñëåïëî
óõî) âîñêîâîå ãîðëîì èñòåêëî
ìîë÷àëî ñîãëàñèåì
âçîðâàëîñú ñîçâó÷èåì
èç ñïèö è ñòðóíîê îíî èñòåêëî…
ôîðòåïüÿíîôîðòåïüÿíîôîðòåïüÿíî
ôîðòåïüÿíîôîðòåïüÿíîôîðòåïüÿíî
ïüÿíîïüÿíîïüÿíîïüÿíîïüÿíîïüÿíî
èçâåðíóëàñü íà ñòóëå ÿ ñïîëçàþ ÿ ñïîëçàþ
ïàëüöàìè ïàëüöàìè ïàëüöàìè
íå óäåðæàâ äåðæàâ äåðæàâ àêêîðä
* * *
the pianoforte's gone haywire
and teaches brownbrewing
the broma with the braincase part —
responsible for four quarters —
the air is scored by chromonotes
the piano is jet black, the wheel has been rolled away
the stool is
an axle anlage…
its overspin…
rub rub rub — three odd
ones odd-even the clear creak screech
of the turning stool
of the key revolving in the throat
of the spinning
of the curled
white
liquid
of the clear
* * *
âûòåñíèâ ñåðäöå èç ëåâîãî ëåãêîãî
ïåðåïîëíåííûé ïåïëîì
ðîò ïîëóðàñêðûâ
ðàññëîåíèÿ êëàâèø
ñðûâàþ
ïðàâîé ðóêîé
è êëàâèøè êðîøàòñÿ
ñâîé êðèñòàëëè÷åñêèé êëèìàò
ñêðûâàÿ â ðîññûïÿõ òðåëåé
òîðîïëèâî
ñåêðåòû ðàññóäêà
âûòðàâëÿÿ óòðåííèì ñòðàõîì
à ëåâîé ðóêîþ
êîðíè ñòðóí ïåðåñîõøèå ñæàâ
íåèçáåæíî è æàäíî ñëåæó
çà ïåðèîäîì ïîëóðàñïàäà
êëàâèàòóðû
* * *
çà ïåðèîäîì ïîëóðàñïàäà.
ïàäàþò áèîïàëüöû íà êëàâèøè
è âîëîñû çàêðûâàþò áèîëèöî.
ïàäàþò ðàç
äâà ïàäàþò ìåõàíè÷åñêèõ ïàëüöà ðÿäîì
çàäåâàÿ ñîñåäíèå õðóïêèå êëàâèøè
êëàâèøè ðàññûïàþòñÿ â âå÷íóþ ïûëü
ïàëüöû ðàñïàäàþòñÿ ñ ìåòàëëè÷åñêèì õðóñòîì
õðóïêàÿ ðæàâàÿ ðàäèàöèÿ
ïûëüíîå ñâå÷åíèå ïàëüöà íà ïàëüöå
ðàñïîëçàþòñÿ ùóïàëüöà êëàâèø
èçâëåêàþ êàê çâîí ïàëüöåì óõî
óõî èç óõà
çâóêà èç çâóêà
ïàëåö èç óõà
ñêåëåò èç æåëåçà
ðàäèàöèè âîçäóõà
áåçîòíîñèòåëüíîñòè ëèöà
ðàñïàäà íîòíûõ ñòðîê
ñîíàòà âíåçàïíî êîí÷àåòñÿ ñëîâîì…
ïàðàëè÷
* * *
where the half-life ends
the half-death ends
the note-fingers will grow into the piano
its keys will draw in as if preceding a
consonant that opens the
semi-fugue the hemi-aria shaking the
strings off the fingertips the
drops of birth death
the corpse embryo presses the key down
sagging with its liquid corpuscle on it
in the eyes and ears of watchers
down the wind there waver the
waves of strings the threads of needles the sounds of sound
the iron bones of the notes and
the air is shining around yout thirst
the piano innards fall through like a dry hole
the wooden cover will crash down on
the pianoforte brain
in the biowood of the biopiano there are those biofeatures
to touch the black lacquered forehead with the fingers
turning into a bone
* * *
êîíåö ïèàíèíî
êðàñíàÿ âíóòðåííîñòü
ôîðòåïüÿíî
ñêðó÷åíû
ñòðóíû êèøêè ïåäàëè çàïóòàíû ñëîìàíû êëàâèøè
õðèïëîå ïèàíèíî ñëîìàíî êîëåñîì
ïðîòêíóòî îñüþ âîëîñû çâóêà
êðàñíûìè ñãóñòêàìè íîòàìè
íà ñòðóíêàõ ãîëîñà è âîçäóõà
ïüÿíîå ïèàíèíî ïàäàåò è îòáèâàåòñÿ
íîæêàìè îò ïàëúöåâ
ëîìàþùèõ
êðàñíóþ âíóòðåííîñòü ïèàíèíî
ñêðó÷åííûõ ñòðóíàìè
êîñòî÷åê
êëàâèøåé
ïîé ìåíÿ
ïåé
âîé
âíóòðåííîñòè
ïîä êðûøêîé
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