Speaking In Tongues
Scribbling In Voices

NIKOLAY GUMILEV

ÍÈÊÎËÀÉ ÃÓÌÈËÅÂ


Translated by Maya Jouravel

© Translation, Maya Jouravel, 1994-2000


FOREST

In that magic forest, towering trees
Unexpectedly come forward from the haze.

Off the earth, the roots spring out other roots,
Like the arms of dwellers of the burial vaults.

Under cover of the blazing autumn leaves
Lonesome giants, trolls, and lions used to live.

Here the sailors saw the steps in golden sand
Left behind by the six-fingered human hand.

Peer of England and the knights of Round Table,
Never came across this pathway in their straggles.

And in bushes, pirate never got enclaved,
Nor a hermit ever dug a little cave...

Only once, they saw in lurid thunder light --
Cat-head woman softly stepped into the night;

Doomed to wear a solid silver coronet,
She was lamenting and sobbing till sunsetÅ

No communion was given by a priest
When, by quiet dawn, she passed away in peace.

All this happened, all this happened in those years,
Which had past without leaving any trace.

All this happened, all this happened in a realm,
Which would never come across your wildest dreams.

I imagined all of this by looking at
Braids of yours -- of fire-glow copperhead,

Looking at your ever changing greenish eyes,
They're akin to Persian feverish turquoise.

Well, perhaps that forest is a soul of yours,
Well, perhaps that forest 's always my remorse.

Or perhaps, when we are passed away,
In that forest, we will set off our way.

ËÅÑ

 òîì ëåñó áåëåñîâàòûå ñòâîëû
Âûñòóïàëè íåîæèäàííî èç ìãëû,

Èç çåìëè çà êîðíåì êîðåíü âûõîäèë,
Òî÷íî ðóêè îáèòàòåëåé ìîãèë.

Ïîä ïîêðîâîì ÿðêî-îãíåííîé ëèñòâû
Âåëèêàíû æèëè, êàðëèêè è ëüâû,

È ñëåäû â ïåñêå âèäàëè ðûáàêè
Øåñòèïàëîé ÷åëîâå÷åñêîé ðóêè.

Íèêîãäà ñþäà òðîïà íå çàâåëà
Ïýðà Ôðàíöèè èëü Êðóãëîãî Ñòîëà,

È ðàçáîéíèê íå ãíåçäèëñÿ çäåñü â êóñòàõ,
È ïåùåðêè íå âûêàïûâàë ìîíàõ.

Òîëüêî ðàç ñþäà ïîä âå÷åð ãðîçîâîé
Âûøëà æåíùèíà ñ êîøà÷üåé ãîëîâîé,

Íî â êîðîíå èç ëèòîãî ñåðåáðà,
È âçäûõàëà è ñòîíàëà äî óòðà,

È ñêîí÷àëàñü òèõîé íî÷üþ íà çàðå
Ïåðåä òåì, êàê äàë ïðè÷àñòüå åé êþðý.

Ýòî áûëî, ýòî áûëî â òå ãîäà,
Îò êîòîðûõ íå îñòàëîñü è ñëåäà,

Ýòî áûëî, ýòî áûëî â òîé ñòðàíå,
Î êîòîðîé íå çàãðåçèøü è âî ñíå.

ß ïðèäóìàë ýòî, ãëÿäÿ íà òâîè
Êîñû, êîëüöà îãíåâåþùåé çìåè,

Íà òâîè çåëåíîâàòûå ãëàçà,
Êàê ïåðñèäñêàÿ áîëüíàÿ áèðþçà.

Ìîæåò áûòü, òîò ëåñ — äóøà òâîÿ,
Ìîæåò áûòü, òîò ëåñ — ëþáîâü ìîÿ,

Èëè ìîæåò áûòü, êîãäà óìðåì,
Ìû â òîò ëåñ íàïðàâèìñÿ âäâîåì.


 

CHINA


283. Porcelain Pavilion

Amidst the waters of a man-made lake,
A porcelain pavilion rises high.
The way to it is lead by jasper bridge
That's cambered like a tiger's back.


And that pavilion houses friends tonight,
They are attired for the holidays;
The dragon patterns on their chalices,
They glitter with the warmed-up wine.


Friends turn from chatting their happy chats
To jotting down their happy songs;
They push off foreheads their yellow hats,
And roll up their yellow sleeves.


Transparent lake reflects so clearly
The bridge curved in as if the jasper moon,
And friends who gathered at this hour
See their reflections upside down.

ÔÀÐÔÎÐÎÂÛÉ ÏÀÂÈËÜÎÍ



Ñðåäè èñêóññòâåííîãî îçåðà
Ïîäíÿëñÿ ïàâèëüîí ôàðôîðîâûé.
Òèãðèíîþ ñïèíîþ âûãíóòûé,
Ìîñò ÿøìîâûé ê íåìó âåäåò.


È â ýòîì ïàâèëüîíå íåñêîëüêî
Äðóçåé, îäåòûõ â ïëàòüÿ ñâåòëûå,
Èç ÷àø, ðàñïèñàííûõ äðàêîíàìè,
Ïüþò ïîäîãðåòîå âèíî.


Òî ðàçãîâàðèâàþò âåñåëî,
À òî ñòèõè ñâîè çàïèñûâàþò,
Çàëàìûâàÿ øëÿïû æåëòûå,
Çàñó÷èâàÿ ðóêàâà.


È ÿñíî âèäíî â ÷èñòîì îçåðå --
Ìîñò âîãíóòûé, êàê ìåñÿö ÿøìîâûé,
È íåñêîëüêî äðóçåé çà ÷àøàìè,
Ïîâåðíóòûõ âíèç ãîëîâîé.

284. Moon over the sea



The moon relinquished sharp-edge cliffs at sea line,
And with transparent gold: the waters shine;
On board of their pointed boat, this evening
The friends enjoy their heated glass of wine.


When looking at the clouds passing swiftly
Through the reflection of the moonlight post;
Some of the friends will find those clouds closely
Resembling the holy women's ghosts.


Another group imagine those clouds
As heaven bound souls of pious men;
The third of friends insist without doubts,
The clouds resemble caravan of swans.

ËÓÍÀ ÍÀ ÌÎÐÅ



Ëóíà óæå ïîêèíóëà óòåñû,
Ïðîçðà÷íûì ìîðå çîëîòîì ïîëíî,
È ïüþò äðóçüÿ íà ëîäêå îñòðîíîñîé,
Íå òîðîïÿñü, ãîðÿ÷åå âèíî.


Ñìîòðÿ, êàê òó÷è ëåãêèå ïðîõîäÿò
Ñêâîçü-ëóííûé ñòîëá, ÷òî â ìîðå îòðàæåí,
Îäíè èç íèõ ìå÷òàòåëüíî íàõîäÿò,
×òî ýòî ïîåçä áîãäûõàíñêèõ æåí;


Äðóãèå âåðÿò -- ýòî ê ðîùàì ðàÿ
Óõîäÿò òåíè íàáîæíûõ ëþäåé;
À òðåòüè ñ íèìè ñïîðÿò, óòâåðæäàÿ,
×òî ýòî êàðàâàíû ëåáåäåé.

285. The reflection of mountains



How happy my heart is, how buoyant,
On my boat so tiny and light,
I am sailing the ripples and light
All day long and from dusk till the dawning.


Love to watch the reflection of cliffs
On the surface of transparent seas.
Like a beast's heart -- mine pounded loud,
There were so many pains in the past,


It desired so many things… Now --
No desire to look at the vast…
Love to watch the reflection of cliffs
On the surface of transparent seas.

[ÎÒÐÀÆÅÍÈÅ ÃÎÐ]



Ñåðäöå ðàäîñòíî, ñåðäöå êðûëàòî.
 ëåãêîé, ìàëåíüêîé ëîäêå ìîåé
ß ñêèòàþñü ïî âîëå çûáåé
Îò âîñõîäà âåñü äåíü äî çàêàòà


È ëþáëþ îòðàæåíèÿ ãîð
Íà ïîâåðõíîñòè ÷èñòûõ îçåð.
Ïðåæäå òûñÿ÷è áûëè ïå÷àëåé,
Ñåðäöå áèëîñü, êàê çàãíàííûé çâåðü,


È õîòåëî íåâåäîìûõ äàëåé
È õîòåëî åùå... íî òåïåðü
ß ëþáëþ îòðàæåíèÿ ãîð
Íà ïîâåðõíîñòè ÷èñòûõ îçåð.

286. Nature



How tranquil is this little mountain lake
It's filled with water like a cup
Bamboo looks just like little houses
And trees above -- a sea of roofs.


Yet cliffs are sharp, encroached like pagodas
Among the flowers they rise
Eternal nature always learns from us --
That makes my heart and soul rejoice.

ÏÐÈÐÎÄÀ



Ñïîêîéíî ìàëåíüêîå îçåðî,
Êàê ÷àøà, ïîëíàÿ âîäîé.
Áàìáóê ñîâñåì ïîõîæ íà õèæèíû,
Äåðåâüÿ -- ñëîâíî ìîðå êðûø.


À ñêàëû îñòðûå, êàê ïàãîäû,
Âîçíîñÿòñÿ ñðåäè öâåòîâ.
Ìíå äóìàòü âåñåëî, ÷òî âå÷íàÿ
Ïðèðîäà ó÷èòñÿ ó íàñ.

287. The road



I stared at the unfolding road,
Beneath the shadow of grand oaks, --
Such a familiar old road,
Surrounded by flower fence.


The evening fog starts slowly setting,
Uneasy sadness brings me tears,
When every pebble on this road
Seems so familiar and dear.


Why would I ever take the road --
It will not bring me to the place
Where air gets stifled in my throat --
The house where my beloved lives.


When she was born, her feet were strangled
They put them in the iron gyves.
And she grew up to be a stranger
To shady roads' calling vibes.


When she was born, her heart was strangled
They put it in the iron gyves.
And she, who's been my heart's desire,
Will never be my dear wife.

ÄÎÐÎÃÀ



ß âèäåë ïðåä ñîáîé äîðîãó
 òåíè ðàñêèäèñòûõ äóáîâ,
Òàêóþ ìèëóþ äîðîãó
Âäîëü èçãîðîäè èç öâåòîâ.


Ñìîòðåë ÿ â òÿãîñòíîé òðåâîãå,
Êàê ïëûë ïî íåé âå÷åðíèé äûì.
È êàæäûé êàìåíü íà äîðîãå
Êàçàëñÿ áëèçêèì è ðîäíûì.


Íî äëÿ ÷åãî èäòè ìíå åþ?
Îíà ìåíÿ íå ïðèâåäåò
Òóäà, ãäå ÿ äûøàòü íå ñìåþ,
Ãäå ìèëàÿ ìîÿ æèâåò.


Êîãäà îíà ðîäèëàñü, íîãè
 æåëåçî çàêîâàëè åé,
È ñòàëè ÷óæäû åé äîðîãè
 òåíè. ñêëîíèâøèõñÿ âåòâåé.


Êîãäà îíà ðîäèëàñü, ñåðäöå
 æåëåçî çàêîâàëè åé,
È òà, êîòîðóþ ëþáëþ ÿ,
Íå áóäåò íèêîãäà ìîåé.

288. THREE WIVES OF A MANDARIN



Lawful wife
There is still some wine left in the chalice,
And the plate that's served is nests of the swallows.
Since the birth of time, the legal spouse
Is respected by her mandarin-husband.


Concubine
There is still some wine left in the chalice,
And the plate is served -- duck: fat and heavy;
Should a mandarin be deprived of children -
Concubine is needed for a mandarin.


Maid
There is still some wine left in the chalice,
And the plate is served - preserves and marmalade.
Why the two of you are in his house?
Every night a new woman he desires.


Mandarin
There is no more wine left in the chalice,
And the plate that's served is hot red pepper.
Silence! O you: bunch of silly blabbers,
Dare you laughing at the poor old mandarin.

ÒÐÈ ÆÅÍÛ ÌÀÍÄÀÐÈÍÀ



Çàêîííàÿ æåíà
Åñòü åùå âèíî â ãëóáîêîé ÷àøêå,
È íà áëþäå ëàñòî÷êèíû ãíåçäà.
Îò íà÷àëà ìèðà óâàæàåò
Ìàíäàðèí çàêîííóþ ñóïðóãó.


Íàëîæíèöà
Åñòü åùå âèíî â ãëóáîêîé ÷àøêå,
È íà áëþäå ãóñü áîëüøîé è æèðíûé.
Åñëè íåò äåòåé ó ìàíäàðèíà,
Ìàíäàðèí íàëîæíèöó çàâîäèò.


Ñëóæàíêà
Åñòü åùå âèíî â ãëóáîêîé ÷àøêå,
È íà áëþäå ðàçíîå âàðåíüå.
Äëÿ ÷åãî âû îáå ìàíäàðèíó,
Êàæäûé âå÷åð íîâóþ îí õî÷åò.


Ìàíäàðèí
Áîëüøå íåò âèíà â ãëóáîêîé ÷àøêå,
È íà áëþäå òîëüêî êðàñíûé ïåðåö.
Çàìîë÷èòå, ãëóïûå áîëòóøêè,
È íå ñìåéòåñü íàä íåñ÷àñòíûì ñòàðöåì.

289. HAPPINESS



My sailing boat, crafted of redwood, is swift,
My flute is carved out of jasper.


With water a stain is removed from the silk,
With wine -- the worries and heartache.


And if you're the owner of swift little boat,
The wine and a beautiful woman…


What else can you ask for? In every respect,
To heavenly gods you are equal.

Ñ×ÀÑÒÜÅ



Èç êðàñíîãî äåðåâà ëîäêà ìîÿ,
È ôëåéòà ìîÿ èç ÿøìû.


Âîäîþ âûâîäÿò ïÿòíî íà øåëêó,
Âèíîì -- òðåâîãó èç ñåðäöà.


È åñëè âëàäååøü òû ëåãêîé ëàäüåé,
Âèíîì è æåíùèíîé ìèëîé,


×åãî òåáå íàäî åùå? Òû âî âñåì
Ïîäîáåí ãåíèÿì íåáà.

290. UNION



The moon climbs graciously the evening heavens,
And there affectionately rests her beauty.


The evening breeze is canvassing the lakeshore,
To spread the kisses to the happy water.


Oh, how heavenly would be a union
Of people who are destined for each other.


Yet those who are destined for each other
Can rarely, alas, enjoy their union.

ÑÎÅÄÈÍÅÍÈÅ



Ëóíà âîñõîäèò íà íî÷íîå íåáî
È, ñâåòëàÿ, ïîêîèòñÿ âëþáëåííî.


Ïî îçåðó âå÷åðíèé âåòåð áðîäèò,
Öåëóÿ îñ÷àñòëèâëåííóþ âîäó.


Î, êàê áîæåñòâåííî ñîåäèíåíüå
Èçâå÷íî ñîçäàííîãî äðóã äëÿ äðóãà!


Íî ëþäè, ñîçäàííûå äðóã äëÿ äðóãà,
Ñîåäèíÿþòñÿ, óâû, òàê ðåäêî.

291. WANDERER



Wanderer, far from his homeland,
You are poor and you are alone,
For the time, deprived of listening
To the music of mother tongue.


Yet here nature is so magnificent,
That you're not entirely lost.
Singing birds on the trees around you --
Would you call it a foreign tongue?


Only listening to the autumn flute,
The cicadas iridescent chime;
Only noticing of the dragon-shape
Big white clouds up in the skies, --


You'll embrace what you have inherited --
The eternal sadness and pain.
In your dreams, you'll sail away back home
With your eyes shielded from the sun.

ÑÒÐÀÍÍÈÊ



Ñòðàííèê, äàëåêî îò ðîäèíû,
È áåç äåíåã è áåç äðóçåé,
Òû íå ñëûøèøü ñëàäêîé ìóçûêè
Ìàòåðèíñêîãî ÿçûêà.


Íî ïðèðîäà òàê ñëåïèòåëüíà
×òî íå âîâñå íåñ÷àñòåí òû.
Ïåíüå ïòèö, â âåòâÿõ ãíåçäÿùèõñÿ,
Ðàçâå ÷óæäûé ÿçûê òåáå?


Ëèøü óñëûøà ôëåéòó îñåíè,
Ïåðåëèâ÷àòûé çâîí öèêàä,
Ëèøü óâèäÿ â íåáå îáëàêî,
Ðàñïëàñòàâøååñÿ êàê äðàêîí,


Òû ïîéìåøü âñþ áåñêîíå÷íóþ
Ñêîðáü, äîñòàâøóþñÿ òåáå,
È óì÷èøüñÿ ìûñëüþ ê ðîäèíå,
Çàñëîíÿÿ ðóêîé ãëàçà.

292. POET



I heard from the garden a woman singing,
But I… I gazed at the moon.


My thoughts never wondered about that woman --
Since I fell in love with the moon.


No stranger am I to the beautiful goddess --
I do sense her gaze in return.


And neither tree branches or bats in the darkness
Will ever conceal me from her.


She likes her reflection in eyes of the poets,
Who have long forgotten their wives.


They look like the glittering scales of the dragons -
The hallowed bards of the seas.

ÏÎÝÒ



ß ñëûøàë èç ñàäà, êàê æåíùèíà ïåëà,
Íî ÿ, ÿ ñìîòðåë íà ëóíó.


È ÿ íèêîãäà î ïåâèöå íå äóìàë,
Ëóíó â îáëàêàõ ïîëþáèâ.


Íå âîâñå ÷óæîé ÿ ïðåêðàñíîé áîãèíå:
Îòâåòíûé ÿ ÷óâñòâóþ âçãëÿä.


Íè âåòâè äåðåâ, íè ëåòó÷èå ìûøè
Íå ñêðîþò ìåíÿ îò íåãî.


Âî âçîðû ïîýòîâ, çàáûâøèõ ïðî æåíùèí,
Îòðàäíî ñìîòðåòüñÿ ëóíå,


Êàê â ïîëíûå áëåñêà ÷åøóè äðàêîíîâ,
Ñâÿùåííûõ ïîýòîâ ìîðåé.

293. HOME



The merciless fire devoured
The house of my childhood games.


I needed to overcome sorrow,
And sailed on the golden-mast boat.


I played on my beautiful flute to
The high rising moon in the sky.


The moon, by my singing, got saddened,
And covered herself with a cloud.


Then I turned my eyes to the mountain,
But had no more songs on my mind.


It seemed: all the joys of my childhood
Were burned in the flames of my home.


I wished in despair for the refuge
That water could offer to me.


A sudden reflection of a woman
Slid by like the one of the moon.


And should she sincerely desire
And should the moon kindly approve


I'm willing to build a new house
In th' woman's mysterious heart.

ÄÎÌ



Òîò äîì, ãäå ÿ èãðàë ðåáåíêîì,
Ïîæðàë áåñïîùàäíûé îãîíü.


ß ñåë íà êîðàáëü çîëî÷åíûé,
×òîá ãîðå ìîå ïîçàáûòü.


Íà äèâíî-óêðàøåííîé ôëåéòå
Èãðàë ÿ âûñîêîé ëóíå.


Íî îáëàêîì ëåãêèì ïðèêðûëàñü
Ëóíà, îïå÷àëåíà ìíîé.


Òîãäà ÿ ê ãîðå îáåðíóëñÿ,
Íî ïåñíè íå øëè ìíå íà óì.


Êàçàëîñü, âñå ðàäîñòè äåòñòâà
Ñãîðåëè â ïîãèáøåì äîìó.


È ìíå óìåðåòü çàõîòåëîñü,
È ÿ íàêëîíèëñÿ ê âîäå.


Íî æåíùèíà â ëîäêå ñêîëüçíóëà
Âòîðûì îòðàæåíüåì ëóíû. -


È åñëè îíà ïîæåëàåò,
È åñëè ïîçâîëèò ëóíà,


ß äîì ñåáå íîâûé ïîñòðîþ
 íåâåäîìîì ñåðäöå åå.

INDOCHINA


ÈÍÄÎÊÈÒÀÉ


294. ANNAM



Look at the moon in the midst of
Vastly magnificent sky bed;
Hear the young winds among bamboo;
Feel the air -- heavy with fragrance.
Families always are blessed!


While parents rest in the grove,
Drinking green tea, reading poems,
House's alive with commotion:
Children are busy with homework
Wishing the newborn won't cry.


If you enjoy this lifestyle,
You will achieve true fulfillment.
Why strive for fame and money
When you believe that your children's
Life must be longer than yours.

ÀÍÍÀÌ



Ìåñÿö ñòîèò ïîñðåäèíå
Äèâíî-îãðîìíîãî íåáà,
Âåòåð â áàìáóêîâîé ÷àùå,
Áëàãîóõàþùèé âîçäóõ,
Áëàãîñëîâåííà ñåìüÿ.


Ñòàðøèå â ðîùå çà ÷àåì,
Ïüþò è ñòèõè ïîâòîðÿþò,
Èç äîìó ñëûøíî ãóäåíüå,
Òàì çàíèìàþòñÿ äåòè,
Íîâîðîæäåííûé êðè÷èò.


Òîò, êòî æèâåò ýòîé æèçíüþ,
Ïîëíîå çíàåò áëàæåíñòâî.
×òî åìó äåíüãè è ñëàâà,
Åñëè îí âåðèò, ÷òî äåòÿì
Äîëæíî åãî ïåðåæèòü?

295. Young girls



Girls are enchanted by rupee's tails
They bear an image of firebirds;
The girls leave behind their parents' home,
Follow the Frenchmen obediently.

ÄÅÂÓØÊÈ



Íðàâÿòñÿ äåâóøêàì ðóïèè
Ñ èçîáðàæåíèåì ïòèöû.
Îíè ïîêèäàþò ðîäèòåëåé,
×òîáû èäòè çà ôðàíöóçàìè.

296. Children song



Why is that quinsy's mouth red like fire?
Isn't it because it's chewing betel?
Let the new fiancée of my father
Hurry up so they can meet each other
He'll extend to her a hearty welcome,
Welcome her with rice, he will not hit her.
It's my mother who will poke her eyes out,
She will rip the guts out of her stomach.

ÄÅÒÑÊÀß ÏÅÑÅÍÊÀ



×òî ýòî òàê êðàñåí ðîò ó æàáû,
Íå æåâàëà ëü ýòà æàáà áåòåëü?
Ïóñòü ñêîðåé ïðèõîäèò òà, ÷òî õî÷åò
Ìîåãî îòöà æåíîé ñòàòü ìèëîé!
Ìîé îòåö åå ïðèâåòíî âñòðåòèò,
Ðèñîì óãîñòèò è íå óäàðèò,
Òîëüêî ìàòü ìîÿ ãëàçà åé âûðâåò,
Âûðâåò âíóòðåííîñòè èç áðþõà.

297. Laos



Dear girl, your cheeks are soft and tender,
And your breasts, like little hills, are slender,


Fall in love with me and from this instance
We will never live apart in distance.


My piragua, we will board together,
And the wind will set our sail untethered.


Should you wish to ride an elephant, dear,
I will be your loyal karnak there.


Should you turn into the moon one evening,
I'll become a cloud so to be near you.


Should you be liana of the jungle
I will turn into a bird or a monkey.


On the mountain peak you climb, my dear,
Looking into the abyss with awe and fear


Even if they put my feet in irons,
I will climb that peak despite all tyrants.


Yet my skills are useless for tomorrow
I am destined for a bitter sorrow.


You don't love me; so I soon start perish
Like a bull deprived of juicy daisies.


With no single kiss that I could cherish
On that cheek of yours so fresh and rosy.

ËÀÎÑ



Äåâóøêà, òâîè òàê íåæíû ùåêè,
Ãðóäü òâîÿ -- êàê õîëìèê íåâûñîêèé.


Ïîëþáè ìåíÿ, è ìû îòíûíå
Íèêîãäà äðóã äðóãà íå ïîêèíåì.


Òû âçîéäåøü íà ëåãêóþ ïèðîãó,
ß âîçüìóñü îòûñêèâàòü äîðîãó.


Íà ñëîíà òû ñÿäåøü, è ïîâñþäó
ß òâîèì êàðíàêîì âåðíûì áóäó.


Åñëè ñäåëàåøüñÿ òû ëóíîþ,
Ñòàíó òó÷êîé, ÷òîá èãðàòü ñ òîáîþ.


Åñëè ñäåëàåøüñÿ òû ëèàíîé,
Ñòàíó ïòèöåþ èëü îáåçüÿíîé.


Åñëè áóäåøü òû íà ãîðíîì ïèêå
Ïåðåä ïàñòüþ ïðîïàñòè âåëèêîé,


Ïóñòü ìíå íîãè çàêóþò â æåëåçî,
ß íà ïèê òâîé âñå-òàêè äîëåçó.


Íî íàïðàñíî âñå ìîå óìåíüå,
Ñóæäåíî ìíå ãîðüêîå ìó÷åíüå,


Òû ìåíÿ íå ëþáèøü; è óìðó ÿ,
Êàê áû÷oê, òðàâû ëèøåííûé ñâåæåé,


Áåç åäèíñòâåííîãî ïîöåëóÿ
 ùåêó, ãäå ðóìÿíåö íåæåí, ñâåæèé.

298. KHA



Beautiful lassies, we are you now?
You who don't answer me anymore
You who forgot all about me;
Left me behind -- now my weakened voice
Wakes up the echo in vain.


Have you been eaten by angry beasts?
Or by your lovers you're being kept?
Go on, answer me dearest,
I fell in love with you and I came
Down to meet with you here.


I caught a glimpse of you naked when
You were bathing in a clear lake.
And I came down thinking not
Of who you are -- daughters of the moon
I -- who am black robin's son.

ÊÕÀ



Ãäå âû, êðàñèâûå äåâóøêè,
Âû, ÷òî îòâåòèòü íå ìîæåòå,
Âû, ÷òî ìåíÿ îñòàâëÿåòå
Îñëàáåâàþùèì ãîëîñîì
Çâîíêîå ýõî áóäèòü?


Èëè âû ñúåäåíû òèãðàìè,
Èëè âàñ äåðæàò ëþáîâíèêè?
Äà îòâå÷àéòå æå, äåâóøêè.
ß ïîëþáèë âàñ è âñòðåòèòüñÿ
Ñ âàìè ñïóñòèëñÿ â ëåñà.


Ñ òîð ÿ óâèäåë âàñ ãîëûìè
Îêîëî ÷èñòîãî îçåðà
È ïðèáåæàë, íå ïîäóìàâøè,
×òî âñå âû -- äî÷åðè ìåñÿöà,
×åðíîé âîðîíû ÿ ñûí.

211. THEATER



All of us -- righteous and sinners,
Out of jail, from the altars
All of us -- just funny actors
In the theater of the Creator.


God the Lord chairing the throne,
Merrily follows the show
Brightly on his sumptuous gown
Sparkles and golden stars glow.


Oh, how easy and pleasant
Is the empyrean stage box !
Mary the Virgin is content,
Finds the libretto engaging:


-- Hamlet? He has to be pallid.
Cain should be more audacious...
Audience heed to angelic
Shiny victorious trumpets.


God leaning forward is prying,
He is caught up in the drama…
Pity if Cain is crying,
Hamlet will have blissful moments!


That goes against His intentions!
So to guard losses and ailments,
God will entrust the production
Into the hands of a disabled.


Now the pain's shooting higher
Cunningly webbing and freely,
Those who choose to retire,
Are castigated severely.


Tortures grow out of proportion
Fear and dismay -- even greater
What if continues the action
In the theater of the Creator.

211. ÒÅÀÒÐ



Âñå ìû, ñâÿòûå è âîðû,
Èç àëòàðÿ è îñòðîãà
Âñå ìû -- ñìåøíûå àêòåðû
 òåàòðå Ãîñïîäà Áîãà.


Áîã âîññåäàåò íà òðîíå,
Ñìîòðèò, ñìåÿñü, íà ïîäìîñòêè,
Çâåçäû íà ïûøíîì õèòîíå
Ïîçîëî÷åííûå áëåñòêè.


Òàê õîðîøî è ïðèâîëüíî
 ëîæå ïðåäâå÷íîãî ñâåòà,
Äåâà Ìàðèÿ äîâîëüíà,
Ñìîòðèò, ñêëîíÿÿñü, â ëèáðåòòî:


-- Ãàìëåò? Îí äîëæåí áûòü áëåäíûì.
Êàèí? Òîò äîëæåí áûòü ãðóáûì...
Çðèòåëè âíåìëþò ïîáåäíûì
Ñîëíå÷íûì, àíãåëüñêèì òðóáàì.


Áîã, íàêëîíÿñü, íàáëþäàåò,
Ê ïüåñå îí ïîëîí ó÷àñòüÿ. --
Æàëü, åñëè Êàèí ðûäàåò,
Ãàìëåò èçâåäàåò ñ÷àñòüå!


Òàê íå äîëæíî áûòü ïî ïëàíó!
×òîáû áëþñòè óïóùåíüÿ,
Áîëè, ãëóõîìó òèòàíó,
Ââåðèë îí õîä ïðåäñòàâëåíüÿ.


Áîëü âîçíåñëàñÿ ãîðîþ,
Õèòðîé ðàñêèíóëàñü ñåòüþ,
Âñåõ, óòîìëåííûõ èãðîþ,
Õëåùåò êðîâàâîþ ïëåòüþ.


Ìíîæàòñÿ ïûòêè è êàçíè...
È âîçðàñòàåò òðåâîãà,
×òî, êîëü íå êîí÷èòñÿ ïðàçäíèê
 òåàòðå Ãîñïîäà Áîãà?!