«Êîãäà â Òîëåäî èçîáðåëè ôîòîãðàôèþ, â ãîðîä ïðèøëè èíäåéöû
è óñåëèñü ïîçèðîâàòü. Ýòî îêàçàëîñü ñàìûì èíòåðåñíûì, ÷òî ìîã ïðèäóìàòü
áåëûé ÷åëîâåê çà âñå ýòè ãîäû.»
Ãàé Äàâåíïîðò
- Æóðíàëèñò ïî îáðàçîâàíèþ, Ñâåòëàíà Ìàêîâåöêàÿ íà÷àëà ïðîôåññèîíàëüíî
ðàáîòàòü â õóäîæåñòâåííîé ôîòîãðàôèè â 1995 ãîäó. Â òîì æå ãîäó âî Âëàäèâîñòîêå
ñîñòîÿëàñü åå ïåðâàÿ ïåðñîíàëüíàÿ âûñòàâêà. Ñ 1997 ãîäà ðàáîòû Ñâåòëàíû
Ìàêîâåöêîé íåîäíîêðàòíî ýêñïîíèðîâàëèñü â ßïîíèè, à â 1999-ì åå ó÷àñòèå
â ðîññèéñêîé íàöèîíàëüíîé àêöèè «Êóëüòóðíûå ãåðîè XXI âåêà», îðãàíèçîâàííîé
ãàëåðåé Ìàðàòà Ãåëüìàíà, áûëî ñ ýíòóçèàçìîì îòìå÷åíî êðèòèêîé.  1999 ãîäó
îíà òàêæå ïðèíèìàëà ó÷àñòèå â åæåãîäíîì Ìîñêîâñêîì Ìåæäóíàðîäíîì ôåñòèâàëå
ïðîôåññèîíàëüíîé ôîòîãðàôèè «ÈíòåðÔîòî-99» (òåìàòè÷åñêàÿ âûñòàâêà «Æåíùèíà
ãëàçàìè æåíùèíû»). Ñâåòëàíà Ìàêîâåöêàÿ -- ÷ëåí Ñîþçà ôîòîõóäîæíèêîâ Ðîññèè,
ñîòðóäíè÷àåò ñ íåñêîëüêèìè ðîññèéñêèìè è ìåæäóíàðîäíûìè èçäàíèÿìè õóäîæåñòâåííîé
ôîòîãðàôèè.
- «Èãðà Ñâåòëàíû Ìàêîâåöêîé ñ "äàâíåé èñòîðèåé" èíîãäà ñåðüåçíà,
èíîãäà èðîíè÷íà èëè ãðîòåñêîâà... Ñíèìàÿ ñâîèõ ñîâðåìåííèêîâ, îíà êàê áû
âêëþ÷àåò "ìàøèíó âðåìåíè" -- ñíà÷àëà â ñâîåì âíóòðåííåì õóäîæíè÷åñêîì
ïðîñòðàíñòâå, à çàòåì îáëà÷àÿ ìîäåëè â îäåæäû óøåäøèõ ýïîõ... Åå îòíîøåíèÿ
ñ êëàññèêîé ñâîáîäíû îò êàíîíèçèðîâàííûõ ñõåì, à óçíàâàåìîñòü åå îáðàçîâ
çèæäåòñÿ ñêîðåå íà ìàòåðèàëå èçîáðàçèòåëüíîãî èñêóññòâà è îò÷àñòè -- êèíî.
...Ýòîò âçãëÿä ïðèíöèïèàëüíî ëèøåí èñòîðèçìà, ïîñòðîåí èñêëþ÷èòåëüíî íà
ñîáñòâåííîì ÷óâñòâåííîì âîñïðèÿòèè âðåìåíè, ýïîõè, ìîäåëè èëè, íàêîíåö,
óâèäåííîãî ïðåäìåòà, âîêðóã êîòîðîãî ñïëåòàåòñÿ èíòðèãà ñþæåòà... Íà ôîòîãðàôèÿõ
Ñâåòëàíû Ìàêîâåöêîé -- êàïëè íàøåé èñòîðèè â íàñ ñàìèõ.»
- Ìàðèíà Êóëèêîâà,
èñêóññòâîâåä
«Íåñêîëüêî ÷àñîâ ñâåòîâîãî ïîòîêà, ëüþùåãîñÿ ñêâîçü áóëàâî÷íîå
îòâåðñòèå íà îëîâÿííóþ ïëàñòèíó, êàê áû èìèòèðóÿ ìåõàíè÷åñêè òîò ñâåò,
÷òî ôîêóñèðóåòñÿ õðóñòàëèêîì ãëàçà íà ñåò÷àòêó, ðàñòâîðèëè àñôàëüò â ëàâàíäå.»
Ãàé Äàâåíïîðò
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«When the photograph was invented in Toledo the Indians
came into town and sat for their portraits. It was the only interesting
thing the white man had come up with in all these years.»
Guy Davenport
With her background in journalism, Svetlana Makovetskaya started her
professional career in photography in 1995. The same year Vladivostok saw
her first personal art show. Since 1997, Ms. Makovetskaya's work has been
exhibited in Japan at various times, and in 1999 her participation in the
Russian national art event «Cultural Heroes of the 21st
Century» organized by the Marat Guelman's Gallery, was enthusiastically
received by critics. In 1999 she also took part in the annual International
Moscow Festival of Professional Photography «InterPhoto'99» with her conceptual
exhibit «A Woman Through the Woman's Eyes». Svetlana Makovetskaya is the
member of the Russian Union of Creative Photographers, contributing to
a number of Russian and international publications.
«Svetlana Makovetskaya's playing with "past histories" is
sometimes serious and sometimes ironic or grotesque... Photographing her
contemporaries, she seems to turn on her "time machine", first
in her inner artistic space, then dressing her models in period clothes...
Her relations with the classic are free of canonizing patterns, and the
recognizability of her images stems more from visual arts and, in part,
from moving pictures. ...This approach is intentionally devoid of historicism
and grows solely from her own sensual perception of a period, an era, a
model and, finally, an object seen, that drapes the intrigue of the plot
development around itself... At the photographs by Svetlana Makovetskaya
we see the droplets of our history within ourselves.»
Marina Kulikova,
Art Critic.
«Hours of lights streaming through a pinhole onto pewter
soaked asphalt into lavender in mechanical imitation of light focussed
on a retina by the lens of an eye.»
Guy Davenport
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