ÏÀÐÈÆÀÍÊÀ
Âû ñåáå ïðåäñòàâëÿåòå ïàðèæñêèõ æåíùèí
ñ øååé ðàçæåì÷óæåííîé, ðàçáðèëëèàíòåííîé ðóêîé...
Áðîñüòå ïðåäñòàâëÿòü ñåáå! Æèçíü — æåñò÷å —
ó ìîåé ïàðèæàíêè âèä äðóãîé.
Íå çíàþ, ïðàâî, ìîëîäà èëè ñòàðà îíà,
Äî æåëòèçíû îòøëèôîâàííàÿ â ëîùåííîì õàìüå.
Ñëóæèò îíà â óáîðíîé ðåñòîðàíà —
ìàëåíüêîãî ðåñòîðàíà «Ãðàíä-Øîìüåð».
Âûïèâøåãî áóðãóíäñêîãî ìîæåò çàõîòåòüñÿ
äëÿ îáëåã÷åíèÿ ïîéòè ïðîéòèñü.
Äåëî ìàäìóàçåëü — ïîäàâàòü ïîëîòåíöå,
îíà â ýòîì äåëå ïðîñòî àðòèñò.
Ïîêà ó òðþìî ðàçãëÿäûâàåøü ïðûùèê,
îíà ðàçóëûáèâ îáëóïëåííûé ðîò,
ïóäðîé ïîïóäðèò, äóõàìè ïîïðûùåò,
ïîäàñò ïèïèôàêñ è ëóæó ïîäîòðåò.
Ðàáà ÷ðåâîóãîäèé òîð÷èò áåç ñîëíöà,
â êëîçåòíîé øàõòå ïî ñóòêàì êëîïåÿ,
çà ïÿòüäåñÿò ñàíòèìîâ (ïî êóðñó ÷åðâîíöà
ñ ìóæ÷èíû îêîëî ÷åòûðåõ êîïååê).
Ïîä óìûâàëüíèêîì ëàäîíè îìûâàÿ
äûøà äèêîâèíîé ïàðôþìåðíûõ çåëèé,
íàä ìàäìóàçåëüþ íåäîóìåâàÿ,
õî÷ó ñêàçàòü ìàäìóàçåëè :
— Ìàäìóàçåëü, Âàø âèä, èçâèíèòå, æàëîê.
Íà óáîðíóþ ìîëîäîñòü ãóáèòü íå æàëêî Âàì?
Èëè ìíå íàâðàëè ïðî ïàðèæàíîê,
èëè Âû, ìàäìóàçåëü, íå ïàðèæàíêà.
Âûãëÿäèòå Âû òóáåðêóëåçíî è âÿëî,
×óëêè øåðñòÿíûå... Ïî÷åìó íå øåëêà?
Ïî÷åìó íå øëþò Âàì ïàðìñêèõ ôèàëîê
áëàãîðîäíûå ìóñüþ îò ïîëíîãî êîøåëüêà? —
Ìàäìóàçåëü ìîë÷àëà, ãðîõîò íàâàëèâàë
íà òðàêòèð, íà ïîòîëîê, íà íàñ.
Ýòî, êðóæà âåñåëüå êàðíàâàëîâî,
âåñü â ïàðèæàíêàõ ãóäåë Ìîíïàðíàñ.
Ïðîñòèòå, ïîæàëóéñòà, çà ñòèõ ðàñêðåæåùåííûé
è çà îïèñàííûå âîíþ÷èå ëóæè,
íî î÷åíü òðóäíî â Ïàðèæå æåíùèíå,
åñëè æåíùèíà íå ïðîäàåòñÿ, à ñëóæèò.
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THE PARISIAN WOMAN
What is your idea of a Parisian woman?
A jeweled beauty with a gemmed hand?
Don't try to fancy! Life is more gloomy!
The Parisian I know is nothing of the kind.
I don't know whether she is old or young,
In a gloss of finery impaired by wear
She works at the toilet of a restaurant
A little restaurant called Grand Chamier.
After having a drop one may have a desire
To refresh oneself by taking the air.
The woman’s job is to help with a towel,
And she is a conjurer in this affair.
You sit at the mirror in the toilet-room
Watching your pimples while she, with a smile,
Will powder your face and put some perfume,
Wipe up the pool and give you a towel.
To please the gluttons she sticks around
In the somber lavatory all day long.
For fifty centimes! (Which is around
Four kopecks for every good turn).
I go to the washstand to wash my hands
Inhaling the marvel of perfumery smell,
Her wretched plainness puzzling my fancy
I want to say to the mademoiselle:
Your appearance is far from being pleasing.
Why should you spent your life in a toilet?
I must have thought too much of Parisians
Or you are not a Parisian at all.
Your manners are languid and you look unhealthy.
The stockings you wear aren't silk but plain.
Why don't moneyed messieurs present you
With bunches of violets now and then?
She didn't reply. The air being rent
By a loud street noise falling on us
That was the noise of the carnival merriment
Of young Parisians in Monte Parnasse.
I am sorry for a harsh poem like this,
For having mentioned a dirty pool,
But it's hard for a woman to live in Paris
If she has to work, — not to sell her soul.
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