Speaking In Tongues
Ëàâêà ßçûêîâ


Ìèõàèë Ïàâèí
SIMPLY The BEST
1986-1999





«Ìèñòåð Ãëåáñêè, âóä þ ëàéê òó ïîìîë÷àòü?..»
Ìèõàèë Ïàâèí



    Ìèõàèë Ïàâèí, 1958 ã.ð.


    Âñåìèðíî íåèçâåñòíûé ôîòîõóäîæíèê, îò÷àñòè äèçàéíåð, ñòàðøèé ëåéòåíàíò çàïàñà êèñëîðîäà.
    Ïëàâàë, çíàåò.  ñâÿçÿõ, ïîðî÷àùèõ âûñîêîå çâàíèå, íå çàìå÷åí. Æåíàò, ìíîãî äåòåé.
    Òâîð÷åñêîå êðåäî: ÷òî íå ïîìîãàåò — ìåøàåò.
    Íåñìîòðÿ íà îáèëèå äîìîðîùåííûõ äîáðîäåòåëåé, ÿâëÿåòñÿ ÷åëîâåêîì, â ïðèíöèïå, õîðîøèì è ìåñòàìè äàæå íåïëîõèì, ÷òî íå ìåøàåò åìó ñêðûâàòü îò îêðóæàþùèõ ïà÷êó «Áåëîìîðà», êóïëåííóþ ñëó÷àéíî ïî ÷ðåçâû÷àéíî íèçêîé öåíå.
    Â ñâîáîäíîå îò áåçäåëüÿ âðåìÿ ëþáèò âñåõ æåíùèí ìèðà è êîôå ñî ñëèâêàìè. Íåíàâèäèò äåíüãè çà òî, ÷òî èõ âñåãäà íå õâàòàåò, è âîéíó — çà òî, ÷òî ìåøàåò ñïàòü.
    ×ëåí ÂËÊÑÌ ñ 1972 ã.

    SIMPLY The BEST — ñåðèÿ âûñòàâîê ëó÷øèõ ôîòîãðàôèé Ì.Ïàâèíà, íàïå÷àòàííûõ ê ìîìåíòó å¸ ïðîâåäåíèÿ è â áîëüøèíñòâå ñâî¸ì ðàíåå íå ýêñïîíèðîâàâøèõñÿ, à êàòàëîã å¸ — ïðàêòè÷åñêè íåçàâèñèìîå îò òåêóùåé ýêñïîçèöèè èçäàíèå.
    Ïî ïðè÷èíå ôèíàíñîâîé íåñîñòîÿòåëüíîñòè àâòîðà öâåòíûå ôîòîãðàôèè â êàòàëîãå îòñóòñòâóþò, à â ýêñïîçèöèè ïðåäñòàâëåíû â âèäå ñëàéä-øîó íà êîìïüþòåðå. Òåêñòû àâòîðà âêëþ÷åíû â êàòàëîã èñêëþ÷èòåëüíî â êà÷åñòâå ýëåìåíòîâ îôîðìëåíèÿ.

      Âûñòàâêè:

    • 1983 — ñîâìåñòíî ñ È.Áàéäðàêîâûì — áîðò ëåäîêîëà «Àäìèðàë Ìàêàðîâ», Ñåâåðíûé Ëåäîâèòûé îêåàí, ìîðå Ëàïòåâûõ
    • 1987 — ñîâìåñòíî ñ ô/ê «Äåëüôèí» — «Ïðèìîðñêàÿ âåñíà», Òåàòð þíîãî çðèòåëÿ, ã. Âëàäèâîñòîê
    • 1988 — â ñîñòàâå òâîð÷åñêîé ãðóïïû ÈÍÒÅÐ — ê/ò «Çíàìÿ», ã. Äàëüíåãîðñê, Êàðòèííàÿ ãàëåðåÿ ï. Êàâàëåðîâî, ïåðñîíàëüíàÿ «Ðîê-Âëàäèâîñòîê», ê/ò «Îêåàí», ã. Âëàäèâîñòîê
    • 1990 — ñîâìåñòíî ñ Íèêîëàåì Ãîðáàíåì — «Ïðîñòî âûñòàâêà», Äâîðåö êóëüòóðû èì. Ëåíèíà, ã. Âëàäèâîñòîê; ñîâìåñòíî ñ Àëåêñååì Âîðîíèíûì — «Ðîê-Âëàäèâîñòîê», ã. ×åðåïîâåö
    • 1996 — âûñòàâêà ïðèìîðñêèõ ôîòîõóäîæíèêîâ, ãàëåðåÿ «Àðòýòàæ», ã. Âëàäèâîñòîê; îíà æå â ã. Íèèãàòà, ßïîíèÿ
    • 1997 — êîëëåêòèâíàÿ âûñòàâêà «Æåíñêèé ïîðòðåò», êàðòèííàÿ ãàëåðåÿ ï. Êàâàëåðîâî, êîëëåêòèâíàÿ âûñòàâêà â ðàìêàõ ïðîåêòà Îêñàíû Öóïðèê «×åòûðå êîñòþìà. 30-å â 90-õ», ìóçåé èì. Â.Ê.Àðñåíüåâà, ã. Âëàäèâîñòîê
    • 1998 — «110 àâòîïîðòðåòîâ. Õóäîæíèêè Ïðèìîðüÿ», ãàëåðåÿ «Àðòýòàæ», ã. Âëàäèâîñòîê; ïåðñîíàëüíàÿ «Ôîòîãðà-ôèêà, êîìïüþòåðíàÿ ãðàôèêà» ãàëåðåÿ «Àðòýòàæ», ã. Âëàäèâîñòîê; ïåðñîíàëüíàÿ «Simply the Âest», êîìïàêò-âåðñèÿ, àðò-êàôå «Ïðåìüåðà», ã. Âëàäèâîñòîê
    • 1999 — ïðî æåíùèí, ãàëåðåÿ «Âåðñàëü», ã. Âëàäèâîñòîê; ïðî ãîðîä — «Âåðñàëü», ã. Âëàäèâîñòîê; «Ãîðîä è ëèöà» — ãàëåðåÿ «Àðòýòàæ», ã. Âëàäèâîñòîê; ïåðñîíàëüíàÿ «Simply the Âest», ðàñøèðåííàÿ âåðñèÿ, Ïðèìîðñêàÿ êàðòèííàÿ ãàëåðåÿ, ã. Âëàäèâîñòîê

      Ïå÷àòíûå èçäàíèÿ:

    • Ãðóñòíàÿ êíèãà «Î æåíùèíàõ è î ëþáâè», 1990 ã.
    • «100 ôîòîãðàôèé Ìèõàèëà Ïàâèíà», 1995 ã.
    • Ýòîò êàòàëîã


      Ïóáëèêàöèè:

    • Æóðíàëû =ÄÂÐ=, «Äæóíãëè», «Ðóññêèé Îñòðîâ», ã. Âëàäèâîñòîê
    • Ãàçåòû «Êðàñíîå Çíàìÿ», «Òèõîîêåàíñêèé êîìñîìîëåö», «Âëàäèâîñòîê», «Íîâîñòè», «Àíòåííà», ã.Âëàäèâîñòîê


      Êíèæíîå îôîðìëåíèå è äèçàéí:

    • Áîá Äèëàí, «Òàðàíòóë» â ïåðåâîäå Ì.Íåìöîâà, èçä-âî «Óëèññ», 1991 ã.
    • Äæåê Êåðóàê, «Ïîäçåìíûå» â ïåðåâîäå Ì.Íåìöîâà, Speaking In Tongues Publishing, 1995 ã.
    • Ñ.Øèøêîâ, «Îðäåíà è ìåäàëè ÑÑÑÐ. Òèðàæè è ðàçíîâèäíîñòè», â 2 ò., èçä-âî «Âîðîí», 1999 ã.
    • À.ßêîâåö, Â.Òûöêèõ, «Îòðàæåíèÿ»,1999 ã.

    M.Pavin. Self-Portrait


     Mikhail Pavin, born 1958.

A photographer obscure throughout the world. A somewhat designer. An oxygen reserve lieutenant. He sailed the seas, he knows. No known liasons besmirching his high title. Married, long-familied. His creative credo is: that what doesn’t help, hampers. Despite the abundance of the homegrown virtues he is not a bad person, in principle, and in part he even is good in some sense, yet that does not preclude him from hiding a pack of Belomor smokes from friends, for the smokes had been bought accidentally for an excedingly low price. In the time free from leisure he likes all women of the world and loves coffee with cream. He hates money because it is never enough and war because it disturbs sleep. Mikhail Pavin has been the Young Communist League member since 1972.

SIMPLY The BEST is the series of the Mikhail Pavin’s shows presenting his best photographs printed by the time of an exhibition, mostly unexposed before, and the present catalogue is an enterprise virtually independent of the current exposition. Due to the author’s insolvency there are no colour photographs in this catalogue, and live they are exhibited as a computer slide show. The author’s texts are included in the present catalogue primarily as the elements of design.


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