Speaking In Tongues
Guided by Voices

Vladimir Nabokov

 Translated by Boris Leyvi



A Prompter


In a congested den I hide from eight to twelve
With volumes: those I've read already quite a few.
«You're charming,» — I confess in silence to myself,
But fearing a mistake, I do not look at you.
I never have disclosed to you my hidden hurts..
The sounds of your voice, the scarcely fizzled ones,
Yes, only them, and not dilapidated words
Allow the bliss and grief a periodic chance.
And everything's so dim, and everything's so clear!
You're made to cry and laugh, and tap with your high heel.
You're slowly passing by; your gown, swaying near,
Is giving me a light and unexpected chill.
And I, so much consumed by sorrow and by passion,
And jumping through old lines in my forsaken cage,
Am reading muppet-love's caricature confessions
For you to say aloud on surface of the stage.

1922

 Ñóôëåð


C âîñüìè äî ïîëíî÷è òàþñü ÿ â áóäêå òåñíîé,
çà êíèãîé, ìíîãî ðàç ïðî÷èòàííîé, ñèæó
è ñëûøó ãîëîñ Âàø... ß çíàþ, — Âû ïðåëåñòíû,
íî, ñïóòàòüñÿ áîÿñü, íà Âàñ ÿ íå ãëÿæó.
Íå âåäàåòå Âû ìîèõ ïå÷àëåé ñêðûòûõ...
ß ñëûøó ãîëîñ âàø, íàäòðåñíóòûé ñëåãêà,
è â íåì, — äà, òîëüêî â íåì, à íå â ñëîâàõ èçáèòûõ, —
çâó÷àò ïëåíèòåëüíî áëàæåíñòâî è òîñêà.
Âñå òàê íåäàëåêî, âñå òàê íåäîñòèæèìî!
Ñìååòåñü, ïëà÷åòå, ñòó÷èòå êàáëó÷êîì,
âáëèçè ïðîõîäèòå, è ïëàòüå, âåÿ ìèìî,
âäðóã îáäàåò ìåíÿ âîçäóøíûì õîëîäêîì.
À ÿ, — èñïîëíåííûé è ñòðàñòè è ñòðàäàíüÿ,
ãëàçàìè ñòðàíñòâóÿ ïî ïëÿøóùèì ñòðîêàì, —
ÿ êóêîëüíîé ëþáâè ïðèòâîðíûå ïðèçíàíüÿ
áåññòðàñòíûì øåïîòîì ïîäñêàçûâàþ Âàì.

 

ÐÀÑÑÒÐÅË


Áûâàþò íî÷è: òîëüêî ëÿãó,
â Ðîññèþ ïîïëûâåò êðîâàòü;
è âîò âåäóò ìåíÿ ê îâðàãó,
âåäóò ê îâðàãó óáèâàòü.


Ïðîñíóñü, è â òåìíîòå, ñî ñòóëà,
ãäå ñïè÷êè è ÷àñû ëåæàò,
â ãëàçà, êàê ïðèñòàëüíîå äóëî,
ãëÿäèò ãîðÿùèé öèôåðáëàò.


Çàêðûâ ðóêàìè ãðóäü è øåþ, —
âîò-âîò ñåé÷àñ ïàëüíåò â ìåíÿ —
ÿ âçãëÿäà îòâåñòè íå ñìåþ
îò êðóãà òóñêëîãî îãíÿ.


Îöåïåíåëîãî ñîçíàíüÿ
êîñíåòñÿ òèêàíüå ÷àñîâ,
áëàãîïîëó÷íîãî èçãíàíüÿ
ÿ ñíîâà ÷óâñòâóþ ïîêðîâ.


Íî ñåðäöå, êàê áû òû õîòåëî,
÷òîá ýòî âïðàâäó áûëî òàê:
Ðîññèÿ, çâåçäû, íî÷ü ðàññòðåëà
è âåñü â ÷åðåìóõå îâðàã.
 

Áåðëèí, 1927

An Execution With A Gun


Some nights, as soon as I'm asleep,
To Russian shores my bed would run;
And now — to the ravine's rip —
Be executed with a gun.


Awake... From a chair, in the dark,
The watch and matches there — in place,
Into my eyes, like a muzzle, sparks
The watch's double-handed face.


My chest have covered and my nape
(I know, now it will blaze),
I stare at the muzzle's gape
And cannot turn away my face.


At last, the ticking of the clock
Will palpitate my stiffened mind;
And I in the exile flock
Myself exuberantly find.


But you, my heart, would go further…
This you with passion would assume:
Still Russia, stars, the night of murder,
The ravine — the bird-cherry bloom.


* * *

 
 
A dream. It's coming back — a quiet, feeble
thump of incarcerated. In it, stark,
with an enormous beele I slowly dibble
and find a broken nugget in the dark.
 
 
A flashlight would unveil its mystic matters:
some writing's trace, a naked worm in mud.
«Read, read!» — runs through my, hasty, thinning blood:
R, U, S, — no, I can't discern the letters.
 
 
1956


* * *

 
 
So long, my book! Ingenious drowse
Bears not a terminal delay.
From angled feet Eugene will rouse,
But poet retrogrades away.
Yet hearing lingers further, stable,
To grasp the music and the fable
Won't let arrest. Its very bind
Still tolls, and for a watchful mind
The borderlines will never order
Wherein the period I stain.
The ghost of Being would remain
Aglow behind the pages' border,
Alike the morrow's cloudy strand,
And line proceeds without an end.