Speaking In Tongues
Scribbling In Voices

VLADIMIR VYSOTSKY

ÂËÀÄÈÌÈÐ ÂÛÑÎÖÊÈÉ

Translated by Maya Jouravel

© Translation, Maya Jouravel, 1994-2000



BALLAD ABOUT LOVE


When, after all, the great deluge was over,
The seas came back within their coastal lines,
Out of the foam of the receding water
The love came out qui'tly to the land.
And, for some time, it faded in the air,
And lasted for a forty forties span.

And some eccentrics that still do exist
Inhale with their full lungs that crazy mix
Expecting neither scolding nor rewarding
And thinking they are free to breath it in
They realize one day that they fit in
Somebody else's intermittent breathing.

But remember: feeling like a boat
Is afloat until you realize:
That the words «I love» mean simply that
«I can breath» and «I am still alive».

There will be plenty of despair and roaming.
The land of love is the most noble land.
The knights of love will have to go through testing
With ever higher standards and demands.
They will be separated by a distance,
Devoid of leisure, sleep without rest.

But nothing in the world can turn them back.
Those madmen do agree to pay it back
With any price, their lives won't be excepted
In order to preserve and to protect
Some indiscernible and magic thread
Which is by love between them now extended.

Wind and snow swept them off their feet,
Made them drunk and raised them from the dead
'Cause remember you have neither lived,
Nor have breathed, if you have never loved.

And most of them have choked with love forever.
They can't be reached no matter what you do.
They are accounted by idle talk and rumor,
And that account is kneaded on the blood.
But we will light up candles in the memory
Of those who died from the unknown love.

Their souls will always roam the blossomed rink,
And their voices then will blend in rhythm.
They will inhale eternity together.
And somewhere on a fragile river cross,
On narrow bridges of the universe
With a deep breath, they will then meet each other.

I will open fields for those who love!
Let them sing awake and in their rest.
I do breathe and that means I'm in love.
I'm in love and that means I exist.

ÁÀËËÀÄÀ Î ËÞÁÂÈ


Êîãäà âîäà Âñåìèðíîãî ïîòîïà
Âåðíóëàñü âíîâü â ãðàíèöû áåðåãîâ,
Èç ïåíû óõîäÿùåãî ïîòîêà
Íà ñóøó òèõî âûáðàëàñü Ëþáîâü --
È ðàñòâîðèëàñü â âîçäóõå äî ñðîêà,
À ñðîêà áûëî -- ñîðîê ñîðîêîâ...

È ÷óäàêè -- åùå òàêèå åñòü --
Âäûõàþò ïîëíîé ãðóäüþ ýòó ñìåñü,
È íè íàãðàä íå æäóò, íè íàêàçàíüÿ, --
È, äóìàÿ, ÷òî äûøàò ïðîñòî òàê,
Îíè âíåçàïíî ïîïàäàþò â òàêò
Òàêîãî æå íåðîâíîãî äûõàíüÿ.

Òîëüêî ÷óâñòâó, ñëîâíî êîðàáëþ,
Äîëãî îñòàâàòüñÿ íàïëàâó,
Ïðåæäå ÷åì ïîéìåøü, ÷òî «ÿ ëþáëþ»
Òî æå, ÷òî äûøó èëè æèâó.

È ìíîãî áóäåò áåäñòâèé è ñêèòàíèé:
Ñòðàíà Ëþáâè -- âåëèêàÿ ñòðàíà!
È ñ ðûöàðåé ñâîèõ -- äëÿ èñïûòàíèé --
Âñå ñòðîæå ñòàíåò ñïðàøèâàòü îíà:
Ïîòðåáóåò ðàçëóê è ðàññòîÿíèé,
Ëèøèò ïîêîÿ, îòäûõà è ñíà...

Íî âñïÿòü áåçóìöåâ íå ïîâîðîòèòü --
Îíè óæå ñîãëàñíû çàïëàòèòü:
Ëþáîé öåíîé -- è æèçíüþ áû ðèñêíóëè, --
×òîáû íå äàòü ïîðâàòü, ÷òîá ñîõðàíèòü
Âîëøåáíóþ íåâèäèìóþ íèòü,
Êîòîðóþ ìåæ íèìè ïðîòÿíóëè.

Ñâåæèé âåòåð èçáðàííûõ ïüÿíèë,
Ñ íîã ñáèâàë, èç ìåðòâûõ âîñêðåøàë, --
Ïîòîìó ÷òî åñëè íå ëþáèë --
Çíà÷èò, è íå æèë, è íå äûøàë!

Íî ìíîãèõ, çàõëåáíóâøèõñÿ ëþáîâüþ,
Íå äîêðè÷èøüñÿ -- ñêîëüêî íå çîâè, --
Èì ñ÷åò âåäóò ìîëâà è ïóñòîñëîâüå,
Íî ýòîò ñ÷åò çàìåøàí íà êðîâè.
À ìû ïîñòàâèì ñâå÷è â èçãîëîâüå
Ïîãèáøèõ îò íåâèäàííîé ëþáâè...

È äóøàì èõ äàíî áðîäèòü â öâåòàõ,
Èõ ãîëîñàì äàíî ñëèâàòüñÿ â òàêò,
È âå÷íîñòüþ äûøàòü â îäíî äûõàíüå,
È âñòðåòèòüñÿ -- ñî âçäîõîì íà óñòàõ --
Íà õðóïêèõ ïåðåïðàâàõ è ìîñòàõ,
Íà óçêèõ ïåðåêðåñòêàõ ìèðîçäàíüÿ.

ß ïîëÿ âëþáëåííûì ïîñòåëþ --
Ïóñòü ïîþò âî ñíå è íàÿâó!..
ß äûøó, è çíà÷èò -- ÿ ëþáëþ!
ß ëþáëþ, è çíà÷èò -- ÿ æèâó!


* * *


The hanging fir paws are trembled by wind,
While chirping of birds is quite anxious.
You live in a wild and so spellbound weald
From which an escape is so hopeless...
Let the bird-cherry tree dry to death in the blast.
Let the lilac leaves fall off like raindrops.
I am still gonna take you away from this place
To the palace with sounds of reed-pipes!

Your world by the wizards for ten hundred years
Is hidden from me and from sun rays.
Thus you still believe that there's nothing so dear
And beautiful as this blear forest.
Let the moon be at odds with the overcast sky.
Let the leaves have no dew in the morning.
I am still gonna take you away from this site
To the tower facing the briny!

Which day of the week, what a glorious hour
You'll come to me out of your hiding,
And I'll carry you far away in my arms
Where nobody will ever find you.
I will steal you away if it pleases your heart!
Didn't I squander in vain all those past years?
Look, I promise you heaven within our hut,
Should there be no tower or palace.


* * *

Çäåñü âåòâè ó åëåé äðîæàò íà âåñó,
Çäåñü ïòèöû ùåáå÷óò òðåâîæíî.
Æèâåøü â çàêîëäîâàííîì äèêîì ëåñó,
Îòêóäà óéòè íåâîçìîæíî.
Ïóñòü ÷åðåìóõè ñîõíóò áåëüåì íà âåòðó,
Ïóñòü äîæäåì îïàäàþò ñèðåíè.
Âñå ðàâíî ÿ îòñþäà òåáÿ çàáåðó
Âî äâîðåö, ãäå èãðàþò ñâèðåëè.

Òâîé ìèð êîëäóíàìè íà òûñÿ÷ó ëåò
Óêðûò îò ìåíÿ è îò ñâåòà.
È äóìàåøü òû, ÷òî ïðåêðàñíåå íåò,
×åì ëåñ çàêîëäîâàííûé ýòîò.
Ïóñòü íà âåòêàõ íå áóäåò ðîñû ïî óòðó,
Ïóñòü ëóíà ñ íåáîì ïàñìóðíûì â ññîðå,
Âñå ðàâíî ÿ îòñþäà òåáÿ çàáåðó
 ñâåòëûé òåðåì ñ áàëêîíîì íà ìîðå.

 êàêîé äåíü íåäåëè, â êîòîðîì ÷àñó
Òû âûéäåøü êî ìíå îñòîðîæíî,
Êîãäà ÿ òåáÿ íà ðóêàõ óíåñó
Òóäà, ãäå íàéòè íåâîçìîæíî.
Óêðàäó, åñëè êðàæà òåáå ïî äóøå,
Çðÿ ëè ÿ ñòîëüêî ëåò ðàçáàçàðèë...
Ñîãëàøàéñÿ õîòÿ áû íà ðàé â øàëàøå,
Åñëè òåðåì ñ äâîðöîì êòî-òî çàíÿë.


THE FASTIDIOUS HORSES


By the cliff, along the precipice, right over deadly ground,
With the rod, I strike my horses, strike them more to urge them forward.
There is no air to breath -- I gulp the haze -- I drink the rough wind.
With a fatal rapture, sensing: I am ruined, I am ruined!

Slow down a bit my horses, slow down, please!
Don't you listen to that stinging thong!
But what the horses I run into, so fastidious!
Neither lived I so long, nor I'll finish the song...
I'll let horses to drink, I'll complete this refrain,
Just a little bit more I will stay on the brink...

I'll be gone -- swept off a palm -- like a fluff, by a heavy twister.
In a sledge -- I will be dragged -- galloping in a snowy morning.
Can't you switch from gallop race -- to unhurried pace, my horses.
Do prolong -- at least somewhat -- to the last refuge -- my final journey.

Slow down a bit my horses, slow down, please!
Don't take orders from my whip and thong!
But what the horses I run into, so fastidious!
Neither lived I so long, nor I'll finish the song...
I'll let horses to drink, I'll complete this refrain,
Just a little bit more I will stay on the brink...

We're on time -- to visit God -- there is no such thing as lateness.
So why the angels, over there sing with those malicious voices?
Or perhaps it's just a bell -- which is choked with sob and wail as --
I beg to slow down the sledge -- I shout at my crazy horses.

Slow down a bit my horses, slow down, please!
I am begging you, don't rush along!
But what the horses I run into, so fastidious!
Since I haven’t lived long, let me finish the song...
I'll let horses to drink, I'll complete this refrain,
Just a little bit more I will stay on the brink...


ÊÎÍÈ ÏÐÈÂÅÐÅÄËÈÂÛÅ

Âäîëü îáðûâà, ïî íàä ïðîïàñòüþ, ïî ñàìîìó ïî êðàþ
ß êîíåé ñâîèõ íàãàéêîþ ñòåãàþ, ïîãîíÿþ...
×òî-òî âîçäóõó ìíå ìàëî -- âåòåð ïüþ, òóìàí ãëîòàþ, --
×óþ ñ ãèáåëüíûì âîñòîðãîì: ïðîïàäàþ, ïðîïàäàþ!

×óòü ïîìåäëåííåå, êîíè, ÷óòü íåìåäëåííåå!
Âû òóãóþ íå ñëóøàéòå ïëåòü!
Íî ÷òî-òî êîíè ìíå ïîïàëèñü ïðèâåðåäëèâûå --
È äîæèòü íå óñïåë, ìíå äîïåòü íå óñïåòü.
ß êîíåé íàïîþ, ÿ êóïëåò äîïîþ --
Õîòü íåìíîãî åùå ïîñòîþ íà êðàþ...

Ñãèíó ÿ -- ìåíÿ ïóøèíêîé óðàãàí ñìåòåò ñ ëàäîíè,
È â ñàíÿõ ìåíÿ ãàëîïîì ïîâëåêóò ïî ñíåãó óòðîì, --
Âû íà øàã íåòîðîïëèâûé ïåðåéäèòå, ìîè êîíè,
Õîòü íåìíîãî, íî ïðîäëèòå ïóòü ê ïîñëåäíåìó ïðèþòó!

×óòü ïîìåäëåííåå, êîíè, ÷óòü ïîìåäëåííåå!
Íå óêàç÷èêè âàì êíóò è ïëåòü.
Íî ÷òî-òî êîíè ìíå ïîïàëèñü ïðèâåðåäëèâûå --
È äîæèòü íå óñïåë, ìíå äîïåòü íå óñïåòü.
ß êîíåé íàïîþ, ÿ êóïëåò äîïîþ --
Õîòü íåìíîãî åùå ïîñòîþ íà êðàþ...

Ìû óñïåëè: â ãîñòè ê Áîãó íå áûâàåò îïîçäàíèé, --
Äà ÷òî æ òàì àíãåëû ïîþò òàêèìè çëûìè ãîëîñàìè?!
Èëè ýòî êîëîêîëü÷èê âåñü çàøåëñÿ îò ðûäàíèé,
Èëè ÿ êðè÷ó êîíÿì, ÷òîá íå íåñëè òàê áûñòðî ñàíè?!

×óòü ïîìåäëåííåå, êîíè, ÷óòü ïîìåäëåííåå!
Óìîëÿþ âàñ âñêà÷ü íå ëåòåòü!
Íî ÷òî-òî êîíè ìíå ïîïàëèñü ïðèâåðåäëèâûå...
Êîëü äîæèòü íå óñïåë, òàê õîòÿ áû -- äîïåòü!
ß êîíåé íàïîþ, ÿ êóïëåò äîïîþ --
Õîòü íåìíîãî åùå ïîñòîþ íà êðàþ...


Our Sons Leave For The War

 
There will be no heartquake to hear for today
As it’s for those flower gardens
The lead in my chest -- as I’m passing away,
It crosses my mind, swift and ardent:
 
No coming back this time, I’m downed.
Somebody else will set the score
We had no chance, we had no chance to turn around –
And our sons, and our sons leave for the war.
 
One thought -- after him -- even hell can break loose!
Abandoned his trench for the abyss.
I stepped out of mine for the opposite use -
To leave no hell for survivors.
 
Before I know my eyes shot down,
And soon I will embrace the earth
We had no chance, we had no chance to turn around –
And our sons, and our sons leave for the war.

In time for attack, who is filling my spot?
The coveted bridge, who will reach it?
And deep in my heart, I had wished for that lad
Who hasn’t grown up to his trench-coat.
 
I smiled before I hit the ground.
I know who will set the score
We had no chance, we had no chance to turn around –
And our sons, and our sons leave for the war.
 
Explosions have silenced our heartbeat tonight,
But pounded mine with new meaning
That end of me isn’t a final one yet -
It’s somebody else’s beginning.

Before I know my eyes shot down.
Somebody else will set the score
We had no chance, we had no chance to turn around –
And our sons, and our sons leave for the war.

Ñûíîâüÿ óõîäÿò â áîé

 
Ñåãîäíÿ íå ñëûøíî áèåíüå ñåðäåö,
Îíî äëÿ àëëåé è áåñåäîê.
ß ïàäàþ, ãðóäüþ õâàòàÿ ñâèíåö,
Ïîäóìàòü óñïåâ íàïîñëåäîê:
 
«Íà ýòîò ðàç ìíå íå âåðíóòüñÿ,
ß óõîæó, ïðèäåò äðóãîé.»
Ìû íå óñïåëè, íå óñïåëè îãëÿíóòüñÿ,
À ñûíîâüÿ, à ñûíîâüÿ óõîäÿò â áîé.
 
Âîò êòî-òî ðåøèë: «Ïîñëå íàñ õîòü ïîòîï»,
Êàê â ïðîïàñòü øàãíóë èç îêîïà
À ÿ äëÿ òîãî ñâîé ïîêèíóë îêîï,
×òîá íå áûëî âîâñå ïîòîïà.
 
Ñåé÷àñ ãëàçà ìîè ñîìêíóòñÿ,
ß êðåïêî îáíèìóñü ñ çåìëåé.
Ìû íå óñïåëè, íå óñïåëè îãëÿíóòüñÿ,
À ñûíîâüÿ, à ñûíîâüÿ óõîäÿò â áîé.

Êòî ñìåíèò ìåíÿ, êòî â àòàêó ïîéäåò?
Êòî âûéäåò ê çàâåòíîìó ìîñòó?
È ìíå çàõîòåëîñü ïóñòü áóäåò âîí òîò,
Îäåòûé âî âñå íå ïî ðîñòó.
 
ß óñïåâàþ óëûáíóòüñÿ,
ß âèäåë êòî ïðèäåò çà ìíîé.
Ìû íå óñïåëè, íå óñïåëè îãëÿíóòüñÿ,
À ñûíîâüÿ, à ñûíîâüÿ óõîäÿò â áîé.
 
Ðàçðûâû ãëóøèëè áèåíüå ñåðäåö,
Ìîå æå íåãðîìêî ñòó÷àëî,
×òî âñå æå êîíåö ìîé åùå íå êîíåö,
Êîíåö ýòî ÷üå-òî íà÷àëî.
 
Ñåé÷àñ ãëàçà ìîè ñîìêíóòñÿ,
ß êðåïêî îáíèìóñü ñ çåìëåé.
Ìû íå óñïåëè, íå óñïåëè îãëÿíóòüñÿ,
À ñûíîâüÿ, à ñûíîâüÿ óõîäÿò â áîé.