Speaking In Tongues
Ëàâêà ßçûêîâ

Ïîýçèÿ àíãëî-
àìåðèêàíñêîãî ìîäåðíèçìà


Óèëüÿì Áàòëåð Éèòñ
[1865-1939]


Ïåðåâåë Ê.Ñ. Ôàðàé


 
The Everlasting Voices
The Second Coming
The Magi
Ñëàäîñòíûé ãîëîñ
Âòîðîå ïðèøåñòâèå
Âîëõâû
 
 

THE EVERLASTING VOICES

 
 
O sweet everlasting Voices be still;
Go to the guards of the heavenly fold
And bid them wander obeying your will
Flame under flame, till Time be no more;
Have you not heard that our hearts are old,
That you call in birds, in wind on the hill,
In shaken boughs, in tide on the shore?
O sweet everlasting Voices be still.

ÑËÀÄÎÑÒÍÛÉ ÃÎËÎÑ

 
 
Î Áîæå, ìíå ñëàäîñòíûé ãîëîñ âåðíè!
Ïóñòü âçäðîãíóò ó ðàéñêèõ âîðîò ñòîðîæà,
Èõ æàðêèì óêîðîì ñâîèì ðàçäðàçíè,
Ïëàìÿ ïîä ïëàìåíåì — âðåìÿ äåðæà.
Òû æå êëè÷åøü ïòèö è âåòåð ñóõîé,
Áóäòî çíàåøü, ÷òî íàøè ñåðäöà ìåðòâû...
Çäåñü ëèøü õðóñò âåòâåé è ìîðñêîé ïðèáîé.
Î Áîæå, ìíå ñëàäîñòíûé ãîëîñ âåðíè!
 
 

THE SECOND COMING

 
 
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
 
 
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
 
 

ÂÒÎÐÎÅ ÏÐÈØÅÑÒÂÈÅ

 
 
Êðóòèòñÿ, êðóòèòñÿ ñòðàøíîå êîëåñî.
 áåëè÷üåé êëåòêå ïóñòî. Ñîêîë îãëîõ
Îò ñâèñòà îõîòíèêà.
Âåçäå ðàçãðîì. È ðàâíîâåñüÿ íåò.
Àíàðõèÿ ïîæðàòü ãîòîâà ìèð,
Ïðèëèâ êðîâàâûé áåäû ïðåäâåùàåò,
Ïîðóãàíû îáðÿäû áëàãî÷åñòüÿ.
È â íåðåøèòåëüíîñòè ëó÷øèå èç íàñ
Òîìÿòñÿ. Õóäøèå ñòðàñòÿì
Ãóáèòåëüíûì äàþò ñîáîþ ïðàâèòü.
 
 
Áëèçèòñÿ ÷àñ èíîãî îòêðîâåíüÿ.
Áëèçèòñÿ ÷àñ âòîðîãî ïðèøåñòâèÿ.
«Âòîðîå ïðèøåñòâèå»! — íå óñïåë ñêàçàòü,
Êàê îãðîìíûé îáðàç èç Àíèìà Ìóíäè
ßâèëñÿ âçîðó: èç ïåñêîâ âîññòàëà
Ôèãóðà ñ ëüâèíûì òåëîì è ãîëîâîþ ÷åëîâå÷üåé.
Îòñóòñòâóþùèìè, äèêèìè ãëàçàìè ïîâåëà
È ïîïîëçëà. Âîêðóã íåå ïàðèëè
Ëèøü òåíè çëîáíûå ñòåðâÿòíèêîâ — íàä íàìè
Ñãóñòèëàñü òüìà. Òåïåðü ÿ çíàþ,
×òî äâàäöàòü ñêîâàííûõ äðåìîòîþ âåêîâ
Äîâåäåíû äî êîøìàðà êà÷àþùåéñÿ êîëûáåëüþ.
Íàñòàë ÷àñ! È ñòðàøíûé çâåðü
Ïðèáëèæàåòñÿ ê Âèôëååìó, ÷òîá òàì ðîäèòüñÿ.
 
 

THE MAGI

 
 
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rain-beaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor
 
 

ÂÎËÕÂÛ

 
 
Íûíå, êàê âñòàðü, ÿ óêðàäêîé âçèðàþ íà íèõ.
 ãðóáûõ ðàñêðàøåííûõ ðîáàõ, óãðþìû, áëåäíû,
Îíè èñ÷åçàþò íà ôîíå íåáåñ ãîëóáûõ.
Èõ ëèöà, êàê ëèâíåì èñõëåñòàííûå âàëóíû,
Ñåäèíû ïëûâóò âåðåíèöåé, ñëåïÿ ñåðåáðîì,
Íàïðÿæåíû, ñëîâíî èùóò ÷åãî-òî ãëàçà.
Èì ìàëî Ãîëãîôû, íà ãðÿçíîì ïîëó è ñûðîì
Ïîçîðíîãî õëåâà — ñïåøàò ðàçãëÿäåòü ÷óäåñà.




Äæåéìñ Äæîéñ Ýçðà Ëóìèñ Ïàóíä Òîìàñ Ñòåðíñ Ýëèîò ýäâàðä ýñòëèí êàììèíãñ